Senin, 30 Juli 2018

The Neon Demon 2016 Ganzer Film Deutsch - 720p - M1V

The Neon Demon 2016 Ganzer Film



The Neon Demon"




The Neon Demon-stream-2016-online schauen-HDRip-kostenlos-FLV-MP4-MPG-Blu-ray-720p-hd stream-MPE.jpg




Überschrift

The Neon Demon 2016

Dauer

139 Sitzungsprotokoll

Freistellung

2016-06-08

Eigenschaft

ASF 1080p
VHSRip

Genre

Thriller, Horror, Mystery

Ausdrucksweise

English

castname

Orgito
M.
Ramata, Josef A. Vezin, Bouchez E. Mitsuko









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A SCREEN ZEALOTS REVIEW www.screenzealots.com

LOUISA SAYS:

What…did I….just watch?

Not for the uninitiated or those with weak stomachs, everyone’s favorite polarizing surrealist director Nicolas Winding Refn is back with the lurid, gory, sadistic, and horrifyingly beautiful “The Neon Demon.” This film makes a bold statement about the shallowness of Hollywood and the fashion industry in the most violent, brutal, bloody and disturbing way possible.

The film’s strength is in its breathtaking visuals. Refn once again establishes himself as a true auteur at the top of the visionary food chain. Even if you are one of the many who see him as pompous and pretentious, there’s no denying that few have quite the mastery of the craft of the visual arts as he does. This film belongs in a modern art museum.

It doesn’t matter that there’s not much of a plot: teenage ingénue Jesse (Elle Fanning) moves to Los Angeles to chase her dreams of becoming a model. She soon finds herself living in a sketchy motel with lecherous landlord Hank (Keanu Reeves) and surrounded by the seductive Ruby (Jena Malone), Gigi (Bella Heathcote) and Sarah (Abbey Lee), a pack of shallow, jealous, beauty-obsessed women. It’s hard to evaluate the performances since most consist of nothing more than striking and holding a pose or staring longingly into a mirror, but I do think that Reeves has one of the greatest (if small) roles of his career.

There’s no escaping the true debate this movie presents: is this a shrewd feminist manifesto or is it grossly misogynistic? It’s taken me three days to reflect on this and I’ve decided that it sways towards the former rather than the latter.

First, the film celebrates the female form; the women in the film are beautiful set dressings, designed to be admired (and not treated solely as sexual objects). Yes, the women are one-dimensional but at the same time, that works as a harsh criticism of the narcissism that’s so prevalent in the fashion industry. Refn also artfully expresses the malice that is sometimes deeply hidden in the female psyche. The film is insightful too: women have a dark side and sometimes we do feel like we are in a girl-eat-girl world (a phrase that the film takes a bit too literally).

Refn’s hypnotic signature is all over this stylish, elegantly violent film. Cinematographer Natasha Braier adds a disturbing hallucinatory effect while Cliff Martinez lends a thumping, ear-splitting, ominous score that reflects the overall atmosphere of insanity.

As with the director’s other films (“Drive,” “Only God Forgives“), there are plenty of scenarios that seem to be present with the sole intent to shock, offend or disgust. (Do we really need an extended scene of lesbian necrophilia? I guess you can argue the point, but the scene goes on a bit too long to make it seem relevant to the plot or characters). The extreme last act feels more like a pointless gross-out than a thoughtful commentary think piece. I think this is a good place to mention that this film is a very, very hard ‘R’ rating; I am surprised it’s not NC-17.

“The Neon Demon” isn’t your run-of-the-mill art house film; it’s so far beyond the art house that it’s in another dimension.

MATT SAYS:

A teenage runaway from Sandusky, Ohio steps off a bus into the glittering lights of Hollywood. All of her friends back home tell her that she’s destined to be a star, and she believes them. But Hollywood does not bestow fame and fortune without a price. First it will take her innocence, then it will take all that remains.

So is the story of “The Neon Demon,” the new film by auteur Nicolas Winding Refn (“Drive,” “Only God Forgives”). Elle Fanning is Jesse, the underage runaway that has been lured to Los Angeles by the whispered promises of becoming a famous model. She meets up with another innocent who was been lured to the city: photographer Dean (Karl Glusman), whose attempts at emulating the art he sees in Hollywood through pictures are met with sneering ridicule as “amateurish.” Dean hasn’t sold his soul, and those who have have nothing but contempt for him.

Jesse, on the other hand, makes the bargain readily: after being paraded before harshly appraising eyes and being judged a piece of meat worthy of notice, she willingly trades her virtue for empty glamour and attention. After having reborn on the runway, Jesse quickly learns that she has still not given enough: people continue to want more from her, and what they want she isn’t willing to give.

“The Neon Demon” is not for everyone. It’s not even for most. Even if you enjoyed “Drive,” you may find yourself frustrated and your patience tried by this movie. There is much to appreciate, but you will be challenged in doing so. In this film, Winding Refn has made an art piece that must be assessed, considered, and deconstructed. Those who are literal-minded will likely find their patience tried: the story isn’t about what’s happening on the surface, it’s about what’s happening underneath. You must watch, listen, and observe carefully.

One additional word of warning: “The Neon Demon” is highly disturbing and will upset many casual viewers. Apart from its gore and physical violence, the film pushes boundaries HARD. Terrible things are either shown or implied. I can’t for the life of me understand why the studio and theater chains thought that this was an appropriate film to release in nearly 800 theaters nationwide. One can imagine that of the few audience members who didn’t walk out during the first 20 minutes ran for the exits at its offscreen implication of child abuse.

If you’re still reading this review and haven’t been dissuaded yet, I recommend that you see this movie. It’s one of the most interesting discussion pieces in recent memory and it’s not one that I will soon forget.

**A SCREEN ZEALOTS REVIEW www.screenzealots.com**
I don't really foresee _The Neon Demon_ becoming my personal all time favourite film, but from a purely aesthetics point of view, it might just be the best movie I've ever seen.

_Final rating:★★★★½ - An all round great movie and a whole lot more._
**It's not anymore a competitive world, but jealousy!**

It started off very well and in the half mark, it completely lost. In the initial part, it looked like a normal film and then I think even the writer does not know what could happen, they just improvised with whatever they had. Writing was totally messed up. When they had the great characters, it becomes nothing in the end. I'm not a fan of this director, and all his films are average, but this one is the worst among them.

I'm not an art film hater, though I hate wasting scenes without any developments and this one had many like them. If you trim them all out, the overall film is around 45 minutes. The rest of the film was just music, colourful lights, and sometimes totally idle, which definitely drag the viewers to the boredom.

Whenever there was a scene with the story, like dialogues and developments, I thought it was going well. But then those useless, dialogueless segments turned me off. Especially the conclusion was absolutely crap. Elle was good, like a character made for her. Keanu Reeve was useless, his addition was just a marketing strategy that did not click.

This is the story of a teen girl aspiring to be a model, but surrounded by the jealousy people because of her fast growth. How it all goes between them and in the fashion world is what the film talks. The film is watchable, but mostly the second half onwards it gets boring. In the end, I don't think anyone would be satisfied completely with their watch, maybe very, very few, but if you consider the majority, this does not deserve to be suggested.

_3/10_
Awesome up til the climax. Goes from a guts-deep analysis of 1) narcissism and its development, 2) the horrors of fashion culture to a by-the-numbers "wow figure out the mystery wow" thriller. Turn it off when there's 30 minutes left and it'll be your film of the year

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Neon – Wikipedia ~ Neon griechisch νέος néos deutsch ‚neu‘ ist ein chemisches Element mit dem Symbol Ne und der Ordnungszahl 10 Im Periodensystem steht es in der 8 Hauptgruppe bzw der 18 IUPACGruppe und zählt daher zu den die anderen Edelgase ist es ein farbloses äußerst reaktionsträges einatomiges Gas In vielen Eigenschaften wie Schmelzund Siedepunkt oder Dichte steht es

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Ne bis in idem – Wikipedia ~ Der Grundsatz ne bis in idem lateinisch für nicht zweimal in derselben Sache eigentlich bis de eadem re ne sit actio ‚zweimal sei in derselben Sache keine Gerichtsverhandlung‘ soll auf den athenischen Redner Demosthenes 384 v Chr † 322 v Chr zurückgehen Er wurde aber wohl erst später formuliert Ne bis in idem beschreibt einen Teilaspekt der materiellen Rechtskraft

Siebenkampf – Wikipedia ~ Geschichte Der Siebenkampf ging 1981 aus dem Fünfkampf hervor der seit 1928 als FrauenMehrkampf üblich gewesen war Der Fünfkampf wurde wie der Siebenkampf auf zwei Tage verteilt ausgetragen Eine Ausnahme bildeten die letzten vier Jahre von 1977 bis 1980 als der Fünfkampf an nur einem Wettkampftag ausgetragen wurde

Hanns Hatt – Wikipedia ~ Leben Hanns Hatt studierte Biologie Chemie und Humanmedizin an der LMU München und promovierte dort 1976 in Zoologie 1981 erhielt Hatt die Approbation als Arzt promovierte 1983 zum Dr med und habilitierte sich 1984 in Physiologie an der Medizinischen Fakultät Klinikum rechts der Isar der TU München wo er 1991 zum Ord Univ Prof im Fach Physiologie der Medizinischen Fakultät

Bjarne Mädel – Wikipedia ~ Leben Seine Kindheit verbrachte Mädel in Reinbek Er erlangte sein Abitur am Burggymnasium Kalifornien arbeitete er zunächst als Bauarbeiter und studierte dann an der University of Redlands Weltliteratur und Kreatives Schreiben

Neuenburg NE – Wikipedia ~ NE ist das Kürzel für den Kanton Neuenburg in der Schweiz und wird verwendet um Verwechslungen mit anderen Einträgen des Namens Neuenburg zu vermeiden

Thermaischer Golf – Wikipedia ~ Als Thermaischer Golf griechisch Θερμαϊκός Κόλπος wird das Meeresgebiet der Nordwestägäis bezeichnet Er liegt zwischen der Halbinsel Chalkidiki einschließlich deren Halbinsel Kassandra im Osten und der Ostküste des griechischen Festlandes mit den Regionalbezirken Pieria Imathia und Larisa mit dem Olympmassiv im Westen Der Golf wurde nach der antiken Stadt Therma

Rotation Physik – Wikipedia ~ Rotation auch Rotationsbewegung Drehung Drehbewegung oder Gyralbewegung ist ganz allgemein die Bewegung eines Körpers oder eines Bezugssystems um eine gemeinsame Begriff wird sowohl für eine einmalige Drehung um einen bestimmten Winkel gebraucht als auch für eine fortlaufende Bewegung mit einer bestimmten Winkelgeschwindigkeit


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The Revenant 2015 Hd Stream - 1440p - FLV

The Revenant 2015 Mit Untertitel Stream



The Revenant"




The Revenant-deutsch-2015-DVDrip-kostenlos-AVCHD-blu ray-uncut-Bluray-TVrip-MP4-MPEG-M1V.jpg




Adelstitel

The Revenant 2015

Dauer

161 Sitzungsprotokoll

Freistellung

2015-12-25

Güte

DTS 1080p
Blu-ray

Gattung

Western, Drama, Adventure

Ausdrucksweise

English, Français

castname

Igor
G.
Hidaya, Nesia B. Ahmet, Craig G. Solène









The Revenant 2015 The Revenant ganzer film deutsch, The Revenant online stream - Ganzer film, The Revenant ganzer film online stream - Deutsch



The Revenant, a ravishingly violent Western survival yarn from Alejandro González Iñárritu, has a healthy few, scattered like acorns across its two-and-a-half-hour canvas..... no matter how extended, the film’s tense story is under the director’s complete control...DiCaprio’s performance is an astonishing testament to his commitment to a role. cinematographer Emmanuel Lubezki done a great job..as a supporting actor tom hardy is brilliant..must watch...
I thought this was a great movie. Seemed like it was a very physically demanding role for Leo.
Good performances by DiCaprio and, even more, Hardy.

Good directing, specially the initial attack, photography, landscapes and soundtrack but the story is, at some points, unnecessarily violent and the action scenes are, sometimes, somehow stupid; people letting others to kill them, or ignoring foes close by ...

A good movie all in all, but not one of the greatests.
> The one who came back from the dead to avenge.

The movie was inspired by the real event that sets in the year 1823, United States. When one of the crew members of the hunters left behind after he was severely hurt from a bear attack, he desperately looks for a way to get back to the camp alive, especially to avenge for the death of his close one. The whole film was about survival in the wilderness and to avoid the native Americans. But the introduction in the opening was very brief and in the final act, it was another brief man hunt. Overall, it was an enjoyable movie for adults with some gruesome scenes.

The movie was made on a grand scale. Well written screenplay, good direction, the cast, music and the locations, but it would have been even awesome if it was true to the original occurrence. I felt it was cinematically overdosed, especially for the commercial purpose. The fans of Leonardo Dicaprio's overwhelming celebration created a huge buzz. In fact, it looks like the entire Hollywood is his fan and the Oscars given to him out of sympathy, because I have seen his best performances better than this in the past.

The length of the movie was a big concern, should have been at least 15 minutes shorter. But the visuals were fantastic, the CGI bear was almost flawless. There are plenty of reasons why this should not be missed, at a time the narration lacks the realism. Otherwise, it would have made a wonderful semi-documentary film. So don't have high hope on this, especially if you're no ones fans, but just love watching movies like me. A little bit overrated everywhere, but still this movie is good, just good, that's it, not a masterpiece.

7/10
There's nothing really to complain about the acting but their praise and this movie is overrated. Read my full review here.

http://www.hweird1reviews.com/allreviews//therevenant
This is the best film I have seen all year (since 'Birdman', in fact, the previous film by Innaritu). It was expertly directed. The use of natural light really adds to the danger of the environment that surrounds Hugh Glass (Leonardo DiCaprio). Innaritu loves the camera to pan around objects and people to create a sense of awe and spectacle.

Leonardo DiCaprio really did deserve all the awards that he got for this role. I thought it was his best film by far. The realism and intensity of his performance really comes through.

The story was gripping throughout the whole film and I found the twists and turns very interesting.

★★★★½

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Spotlight 2015 Ganzer Film - 720p - Dolby Digital

Spotlight 2015 Ganzer Film Deutsch



Spotlight"




Spotlight-auf italienisch-2015-DVD-WEB-DL-ASF-M1V-MPEG-1-DAT-download-Sonics-DDP-kostenlos-AVCHD.jpg




Name

Spotlight 2015

Dauer

138 Niederschrift

Befreiung,Entbindung

2015-11-06

Qualität

M2V 720p
VHSRip

Genre

Drama, Thriller, History

Programmiersprache

English

castname

Gélin
D.
Tessier, Evellin G. Chika, Jenee H. Amata









Spotlight 2015 Spotlight ganzer film deutsch, Spotlight online stream - Ganzer film, Spotlight ganzer film online stream - Deutsch



> Uncovering the sins committed by whom the millions of people believe in.

A documentary film would show the real faces of those offenders to shame them. That's the reason I desperately wanted it to be a documentary, then I would have definitely given a maximum mark. There's no complaint about this movie, but adaptation means fakes acting, fake settings and awards goes to non real achievers. Anyway, this movie kind looked a semi documentary and liked the way it was made.

The movie exposed a very important scandal. If something is open for a debate in the US means, the rest of the world would follow the same route. That's where this theme was inspired by. It all begins with a group of journalists from the Boston Globe with their new editor instruct them to research on sexual abuse of children by priests. So their lead only gets bigger and puts them to recover more evidence in order to publish. How they come up with the story that shake up not only the nation, but the entire world is the remaining.

A collection of bunch fine performances. There's no lead actors in this. Everyone is in the supporting roles. Out of 6, it got nominated both male and female in the category of supporting role for the Academy Awards. I am very disappointed, Mark Ruffalo's performance in 'Infinitely Polar Bear' deserved another nominee. Anyway, this 15 year old story still looks a hot topic. It was a great comeback for the director after critics assaulted him with their words for his previous film 'The Cobbler' only to show their rage on Sandler. It is a must-must see. Beware, is is not your weekend entertainer, but based on the real.

8/10
Spotlight story is interesting and has a good cast which performs very well, but the feeling of the story is flat.

First, they are talking about abuses to children but you feel almost the whole time that they are following the lead of any other story almost as bureaucrats. There is not much of sensitivity put into the matter.

Second, they are exposing a huge case of system "missbehavior" (to say the least) in the Catholic Church hierarchy and you see how the whole city of Boston is treating this institution with great care. Then, this movie is about showing to the world how the exposition was done and the treatment to the Catholic Church is almost as exquisite as the one that has enabled this institution to hide all this cases.

For gods sake! These people are criminals covering the crimes of even bigger criminals and it seems like we still cannot face them and tell them clearly and to their faces the horrible things they have tolerated and hidden.
This was a very shocking and well made film. It is about the scandal involving a cover-up of Catholic priests molesting children in the Boston area. I was surprised with the delicate nature of the film's script and how well it was handled. It had a very solid ensemble cast which helped make the film moving and horrific in parts.

I am glad that a film like this won Best Picture at the Academy Awards as it had a very important message (even if I was rooting for 'The Revenant').

★★★★

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The Social Network 2010 Ganzer Film Deutsch - 1080p - Sonics-DDP

The Social Network 2010 Online Anschauen



The Social Network"




The Social Network-AAF-2010-online anschauen-AVI-1440p-Blu-ray-DVD-WMV-uncut-mit untertitel-DTS-AVI.jpg




Titel

The Social Network 2010

Zeitdauer

171 Niederschrift

Verzicht

2010-10-01

Qualität

M4V 1440p
Bluray

Genre

Drama

Programmiersprache

English

castname

Munisah
J.
Rodas, Percy T. Denes, Pyrard V. Bella









The Social Network 2010 The Social Network ganzer film deutsch, The Social Network online stream - Ganzer film, The Social Network ganzer film online stream - Deutsch





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How to Train Your Dragon 2010 Online Schauen - 720p - M1V

How to Train Your Dragon 2010 Stream Hd



How to Train Your Dragon"




How to Train Your Dragon-WEB-DL-2010-BRRip-online anschauen-Sonics-DDP-DVDScr-WEB-DL-MPEG-mit untertitel-DTS-deutsch-stream hd.jpg




Adelstitel

How to Train Your Dragon 2010

Zeitdauer

187 Konzept

Abgabe

2010-03-10

Eigenschaft

MPG 720p
Blu-ray

Gattung

Fantasy, Adventure, Animation, Family

Jargon

English

castname

Elza
Y.
Kavner, Anand J. Kida, Worms E. Tiersen









How to Train Your Dragon 2010 How to Train Your Dragon ganzer film deutsch, How to Train Your Dragon online stream - Ganzer film, How to Train Your Dragon ganzer film online stream - Deutsch



So the movie was great. I wasn't expecting it to be that good actually. I thought it will be one of those movies wherein it turns out just okay because it's not a Disney/Pixar movie. I mean....if it's not a Disney/Pixar movie, don't expect anything. Which was good I think because not expecting turned out great for me.


It was very entertaining (aside from the noisy children and a very noisy and loud mom behind us). I know Toby will like this movie (he actually was able to watch it from beginning to end...for the first time). There's just so much to see. And the ending. Such a tragic ending but it's still a happy ending don't worry.


My rate for this movie is A. Good for kids. Good for adults.
First of all, the animation in this is spectacular. All the scenery in the film looks like something you could find in real life. The action, mainly the climax, and flying shots in this film also show how great the animation is. The main thing about the animation that is amazing is how the dragons look. They all look like real, kinda cartoonish, dragons that come across as vicious but also cute. The cinematography in this film is stunning. The lighting in each and every scene was chosen correctly for it. I really like the score in this film that was done by John Powell. The music in the film just helped bring you into this fantasy world of Vikings and dragons. Now my main problem is mainly the casting of the voice actors. They all did great jobs as their roles but I think some of them would have been better casted if their character was older and not a teenager. That can mainly be seen with Hiccup who is supposed to be a teenager but sounds like an adult who already went through puberty. I also had a few issues with the pacing in this film. Some scenes were way too short and I would have liked to have seen them a tiny bit longer. Now I do get that it’s a film made for children but as long as there’s moving objects on screen kids won’t care what’s happening in the movie. In the end How to Train Your Dragon is an excellent film for everybody no matter how old you are. I give How to Train Your Dragon a 9/10.
Who wouldn't want Toothless as a pet?

Honestly I can see my future kids and their future kids loving this movie as much as I do. How To Train Your Dragon is just that great of a movie. It's gorgeous, funny, heartfelt, and it's got something to say. I can't praise this wonderful film enough.

Liste der IATACodesD – Wikipedia ~ Diese Teilliste führt alle IATAFlughafenCodes auf die mit „D“ beginnen und enthält Informationen zu den bezeichneten Verkehrsknotenpunkten


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Minggu, 29 Juli 2018

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Titel

Harry Potter and the Deathly Hallows: Part 2 2011

Geltungsdauer

166 Niederschrift

Auslöse-

2011-07-07

Eigenschaft

MPEG-1 1080p
HDRip

Buchgattung

Family, Fantasy, Adventure

Jargon

English, Español

castname

Rawia
O.
Naishe, Dubas U. Lecourt, Rocher X. Albéric









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Les Misérables"




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Adelstitel

Les Misérables 2012

Dauer

133 Sitzungsprotokoll

Erlösung

2012-12-18

Eigenschaft

FLV 1080p
DVDrip

Buchgattung

History, Drama

Ausdrucksweise

English

castname

Etta
R.
Jeffrey, Aubine W. Nelda, Emelyne W. Elone









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Sabtu, 28 Juli 2018

Magic Mike 2012 Online Schauen - 1080p - M4V

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Magic Mike"




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Name

Magic Mike 2012

Zeitdauer

138 kleinst

Freilassung

2012-06-28

Eigenschaft

AVI 720p
TVrip

Genre

Drama, Comedy

Sprache

English

castname

Antonio
N.
Faisa, Graham J. Rouffio, Caleb W. Maemi









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Jumat, 27 Juli 2018

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The Magnificent Seven"




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Bezeichnung

The Magnificent Seven 2016

Dauer

184 Notiz

Aussetzung

2016-09-14

Eigenschaft

MPEG 1440p
DVDrip

Gattung

Adventure, Action, Western

Sprache

English

castname

Kianna
T.
Jocelin, Celal W. Marin, Chelcie Z. Luna









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The western genre has gradually been making its way back into the cinematic fold. Recent dusty trail ditties such as David McKenzie's modern-day _Hell or High Water_ or Quentin Tarantino's _The Hateful Eight_ have proven to be recent saddle-tested gems that enthusiastically put cowpoke enthusiasts in movie theater seats. Furthermore, what would Hollywood do if it did not predictably invite yet another remake of a classic film into the moviegoers' mindset? Hence, director Antoine Fuqua takes a challenging stab at generating interest in his latest workman-like western shoot 'em up in the millennium-made version of **The Magnificent Seven**.

Naturally, Fuqua's chaotic and calculating gun-toting actioner is an updated remake of director John Sturges's 1960 film that starred late iconic box office big stars such as Yul Brynner, Steve McQueen, Charles Bronson and Eli Wallach. Of course in return Sturges's borrowed his artistic gun-for-hire gumption from legendary Japanese auteur Akiro Kurosawa's vintage and influential _Seven Samurai_. Fuqua, whose gritty urban police drama _Training Day_ secured a Best Actor Oscar for his **The Magnificent Seven** leading man in two-time Academy Award winner Denzel Washington, takes on the retelling of his particular _Seven_ with feisty fury. One would not necessary anoint Fuqua's outlaw tale as a superior successor to Sturges's borrowed blueprint from Kurosawa. However, Fuqua's array of blazing bullets from his bunch of rag tag bad boys has its own distinctive sense of decorative dare and destruction that feels authentic.

Screenwriters Nic Pizzolatto ("True Detective")and Richard Wenk deliver an unapologetic script that calls for high body counts, old-fashioned showdowns and a wild west waywardness that swaggers courtesy of Fuqua's corrosive crew. The popcorn entertainment in **The Magnificent Seven** is strictly in guilty pleasure territory so there is no need to tighten up your holsters for all you little buckaroos that are eager to wallow in Fuqua's cutthroat corral of gunslingers.

Mustached bounty hunter Sam Chisolm (Washington) is the all-dressed-in-black avenger whose mission is to provide protection for the town of Rose Creek, New Mexico. In his ambitious bid to save the jeopardized Rose Creek he must assembled a group of skilled gunmen able to stand up to the diabolical powers-that-be that look to foster the on-going havoc that prevails.

Specifically, Rose Creek is under the dastardly control of the diabolical Bartholomew Bogue (Peter Sarsgaard) that rules the town with an iron fist. The opening scene demonstrates how nefarious Bogue is at heart because he has no qualms about seizing land from its vulnerable owners or quieting down his critics with intimidating force. Basically, Bogue and his hideous henchmen are not to be reckoned with at all--unless you are willing to match wicked-minded wits with the raw and rough Chisolm and his gun-wielding renegades.

Rose Creek resident Emma Cullen (Haley Bennett, "Music in Lyrics", "The Girl on the Train") steps up to the plate in her effort to confront the nasty Bogue the only best way she knows how--hiring the capable and crafty collection of the Seven to contain this intimidating menace.

Joining Chisolm in his bloody quest to rescue Rose Creek from Bogue's disturbing clutches are explosives expert gambler Josh Farraday (Chris Pratt), and conflicted sharpshooter Goodnight Robicheaux (Ethan Hawke reuniting with his "Training Day" director and co-star Fuqua and Washington). The rest of the tag-a-longs include the outlandishly bearded Jack Horne (Vincent D'Onofrio from TV's "Law & Order: Criminal Intent"), Billy Rocks (Byung-hun Lee), Vasquez (Manuel Garcia-Rulfo) and Red Harvest (Martin Seinsmeier). Together, the anti-heroes known as the Magnificent Seven hope to meet the expectations of Emma's (and the town's) cause and eradicate the villainous Bogue by any means necessary.

**The Magnificent Seven** certainly does not have any pretensions about posing as a conscious-minded, revisionist western as it definitely does not have the prolific pedigree such as Clint Eastwood's _Unforgiven_ for instance. Nevertheless, the film does have a devilish impishness as its main function is to echo an exaggerated rustic feel to its throwback acknowledgement when westerns of yesteryear were just plain frivolous and furious without any particular rhyme or reason.

Sure, the characters have really no inside depth beyond their taste for roughshod recklessness and wild tumbleweed theatrics. This is not necessarily a bad thing to consider in Fuqua's **The Magnificent Seven** because the name of the game is serving up an escapist need for its giddy-up rush for the senses. Indeed, Washington and company will not make anybody forget the aforementioned Brynner and his squad from nearly six decades ago. Still, this particular _Seven_ has its own kind of favorable punch to savor.

The notable names in _Seven_ do rise to the occasion within the context of this otherwise basic story of the wannabe borderline good guys versus the bombastic bad guys. Washington's Chisolm is solidly smooth as charismatic as the leader of the pack. Pratt's Farraday is a charming hoot as the roguish gambling cad. Hawke's Goodnight does a decent job portraying the talented gun handler simply trying to get his groove back due to his shaken confidence from a prior incident (yes, the catchy movie moniker of Goodnight Robicheaux is a keeper to say the least). And D'Onofrio's amusing Horne is deliciously irreverent. The always adventurous Sarsgaard comes to life as the vile wonder whose presence inspires the Seven to tap into vengeance mode.

At the end of the roundup it is quite clear that **The Magnificent Seven** wants to lasso its penchant for resembling a showy Hollywood western even if it is at the expense of lifting its rowdy roots from the likes of its highly regarded predecessors from golden cinema's treasured past.

**The Magnificent Seven** (2016)

Sony Pictures

2 hrs. 12 mins.

Starring: Denzel Washington, Chris Pratt, Ethan Hawke, Peter Sarsgaard, Haley Bennett, Vincent D'Onofrio, Byung-hun Lee, Maunel Garcia Rulfo, Martin Sensmeier

Directed by: Antoine Fuqua

MPAA Rating: PG-13

Genre: Western/Drama/Action and Adventure

Critic's rating: ** 1/2 stars (out of 4 stars)

(c) **Frank Ochieng** 2016
In 1879, degenerate industrialist Bartholomew Bogue (Peter Sarsgaard) blockades the mining town of Rose Creek, and butchers a gathering of local people drove by Matthew Cullen (Matt Bomer) when they endeavor to confront him. Matthew's better half, Emma Cullen (Haley Bennett), and her companion, Teddy Q (Luke Grimes), ride to the closest town looking for somebody who can help them and happen upon abundance seeker Sam Chisolm (Denzel Washington), who at first decays their proposition until he learns of Bogue's contribution.

Chisolm embarks to enlist a gathering of gunslingers who can help him, beginning with card shark Josh Faraday (Chris Pratt).Watch and download "The Megneficent Seven" here _**movies watch free**_ They are later joined by sharpshooter Goodnight Robicheaux (Ethan Hawke), blade employing professional killer Billy Rocks (Byung-hun Lee), gifted tracker Jack Horne, Comanche warrior Red Harvest and famous Mexican criminal Vasquez (Manuel Garcia-Rulfo).

Touching base in Rose Creek, the seven take part in a gunfight with Bogue's implementer McCann (Cam Gigandet) and his men and push them away with a notice to allow Rose Creek to sit unbothered. Construing that Bogue and his strengths will return in seven days, the seven and Cullen train the sportspeople to guard their home and become attached to them. Watch and download "The Megneficent Seven" here **movies watch free** Robicheaux, frequented by the abhorrences of the Civil War and dreading the unavoidable executing he will be a piece of, forsakes the gathering and is supplanted by Cullen.

Bogue touches base with his strengths and assaults the city, however the desperados are trapped by the townspeople, prompting a shootout amid which Robicheaux rejoins the gathering, McCann is murdered by Vasquez, and Horne is executed by Bogue's Comanche professional killer Denali (Jonathan Joss), who is later slaughtered by Red Harvest. Watch and download "The Megneficent Seven" here _movies watch free_. Bogue then divulges his mystery weapon, a Gatling firearm, with which he executes various innocents. Acknowledging they're outgunned, the seven push the townspeople away and mount their last stand.

Robicheaux and Rocks are killed by a second round of gunfire as Faraday penances himself to demolish the Gatling firearm and whatever is left of Bogue's men, riding up to them in a last charge and afterward exploding a stick of explosive right beside the weapon. Bogue escapes into town, where he is faced by Chisolm, who incapacitates and wounds Bogue. Watch and download "The Megneficent Seven" here movies watch free. As Chisolm is choking Bogue, he uncovers that Bogue and his men assaulted and killed his mom and sister amid an attack quite a long while prior, in which he himself survived being hanged. Bogue is then lethally shot by Cullen while going after a shrouded weapon in his boot.

In the fallout, Faraday, Robicheaux, Rocks and Horne are covered around the local area and respected by the general population of Rose Creek as saints, while Chisolm, Vasquez and Red Harvest ride off, with Cullen commenting that their gallantry made them legends. Watch and download "The Megneficent Seven" here _movies watch free_.
**The new seven, all unique and diversified!**

Basically, people watch it for either those actors and the director or for an entertertainment. But we all know the story, how it begins and how it ends, since it was the remake of the 1960 film. Actually, it was a successful remake, but not as magnificent as the original. Maybe the youngsters might like this one better.

The director's favourite, Denzel Washington in one of the main characters. Not much change in the theme, except the screenplay was little altered, especially diversity in the film characters and their developments. Because nowadays that's a big issue in Hollywood cinema. So it was led by Denzel and possibly there will be a sequel like the 'Ocean's' trilogy.

The people from a small mining town decides to hire men with guns to fight the villainous businessman who slaughtered their loved ones. The unusual seven men come together and form a team with a plan to defend the town. So what comes next is the battle between the good and the bad that lasts for the whole final act.

The setting was completely refreshing, but slightly disappointing action sequences. All the seven characters were unique and awesome, but the film lacked the great battle scene that defines each one of them. Surely I favour it just for once watch that told from the todays imagination of the 1870s era. Feels like it should have been better, but in the end it is a satisfying film.

_6.5/10_
I seek righteousness. But I'll take revenge.

Directed by Antoine Fuqua and written by Nic Pizzolatto and Richard Wenk. Starring Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Byung-hun Lee, Manuel Garcia-Rulfo, Martin Sensmeier, Haley Bennett and Peter Sarsgard. Music is by Simon Franglen (also working from a James Horner template) and cinematography by Mauro Fiore.

Seven gunmen band together to aid the town of Rose Creek whose inhabitants are being driven out by ruthless capitalist Bartholomew Bogue.

We are now in an age of film making where "tagged classics" are no longer sacrosanct. Any number of these "tagged classics" have been and will become viable for remake - reboot - reimaging for newer audiences. It's here, it happens and really there's nothing we can do about it but moan amongst ourselves. John Sturges' 1960 The Magnificent Seven (itself a remake of Kurosawa pic Yojimbo) is a much loved film, and not just in Western lovers circles, it's a film that non Western fans are known to enjoy - and rightly so, it deserves its place as a "tagged classic" and still enthrals over 50 years since its release. So the big studio big wigs and Antoine Fuqua were taking a major gamble remaking a classic remake with their own remake!

Undeniably the shadows loom large over the 2016 version, so much weight of expectation, in fact to some it was a stinker of a film even before it was released! Well, as those who have seen it will attest, both the fans and the dissenters, it hasn't raised the bar for the "Seven" formula, but, and this is very key here, the makers wasn't setting out to make a film that down the line would be perceived as a "tagged classic", and this is evident in the ream of extras available on the Blu-ray releases. They achieved what they set out to do, to make a blunderbuss Oater for the modern era to sample, and they have done it with much love, much cool and lashings of technical greatness. Add in a cast clearly enjoying themselves and not letting anyone down, and it's a tasty plate of beans.

Fuqua updates things by having his seven as a row of differing ethnicities, which works a treat, and crucially he and his writers are respectful of those characterisations, even if a bit more fleshing out wouldn't have gone amiss. Yet nothing is at a cost to honouring the great Westerns of old. Beautiful landscapes envelope the players, the musical score bouncing around man and nature with homaged sweetness. There's closeups, silhouetted slices of panache, superb stunt work (man and beast), glorious set design, and then there's the action. The fight sequences are excellently constructed, a feast for the eyes and ears, death and slaughter unfurled in brutal but hunger appeasing strokes. There's comic relief about the place, and while much of the dialogue wouldn't have the great poets of yore troubled, there is deepness to be found. Intelligence, too, the addition of PTSD to one of the main players is a notable piece of worth, while how wonderful to find a Western lady character of great substance (Bennett excellent), so good in fact she could have been one of the seven!

It's a bare bones story, with a pointless motive revelation tagged on for the finale, while some anachronisms will irritate those bothered by such. But if you are able to judge it on its own terms, as a Western entertainment for this era, and to accept it isn't trying to outdo the source of its inspiration, then a good time can readily be had. 8/10
Ditches all the cerebral factors in favour of dumb fun, but hey, it works.

Final rating:★★★ - I personally recommend you give it a go.
This is indeed a very good remake of an old classic. As always I am a bit worried when they make a remake of old classics that I liked. This remake is well worth watching though. Despite having a few minor gripes I went for 5 out of 5 stars on this one.

Most of you are probably familiar with the story of The Magnificent Seven. Gunslinger gets hired to protect a village from the evil industrialist, he picks 6 buddies to help him, trains the villagers, digs in and sits down and waits for the bad guys to arrive. A simple and well suited story for a bit of Western entertainment. I guess I should mention as well that the original Western is actually not the “real” original. That honor befalls Shichinin no samurai, or Seven Samurai in English, which is a Samurai movie by Akira Kurosawa and with Toshirô Mifune in the lead role. That is the movie from which the plot originates.

Anyway, history lesson is over, back to this movie. The movie starts of by introducing the main characters. The bad industrialist is a nasty piece of thug and quickly demonstrates that, although by no means being a blood splatter movie, it is definitely more cruel than what I remember from the original. Next in line is the movies hero played by Denzel Washington and I have to say that he plays the role very well. I liked him as the calm, fairly silent, but oh so deadly gunslinger from the first frame to the last.

The other characters fit quite well into their roles as well. I cannot make up my mind about Jack Horne though. I did like the character but at the same time I felt that he was a wee bit to comical at times. I also liked Goodnight Robicheaux quite a lot but the writer really went a bit over the top as far as I am concerned when he actually left.

Of course the entire movie plays out as a build up to the final big fight and it is a big fight, that has to be said. However there are plenty of things happening during this build up. Both things involving chemically propelled slugs flying around and things slightly less noisy.

Sam Chisolm has to pick up his buddies of course, each one being an opportunity for some cool movie story telling. Then we have the training of the villagers which, as expected, becomes a wee bit comical at times. Oh, and I almost forget that there is a nice little shootout when Chisolm and his buddies introduces themselves to Bogue’s thugs in the village. Said thugs includes the local Sheriff. To no ones surprise I believe. So much for law and order. Time for a new management.

So, fast forward to the end and the big fight. It is big, it is well done and it involves plenty of things that go boom. It is plenty of action but it is also the part of the movie where I have the biggest gripe. Okay folks there are going to be a mild spoiler now. With that out of the way, let’s go to the Gatling gun. It is always cool to see a Gatling gun let loose. However can we keep it a bit more realistic please? They fire thousands of bullets without reloading (they make a fuss about reloading later in the movie). Also they position the gun out in the open where it would have been relatively easy to shoot the men operating it. An idea that they finally get much later and manage to goof up. The final solution to taking out the gun is dramatic but quite convoluted. This is the part of the movie that made me go a bit what the fuck!

Apart from that I really enjoyed this movie. A good remake of an old classic.
My only objection with this version is the use of the Gatling gun. Though I know it's only a movie and it creates more excitement, the gun never fired that many rounds per load. That said, I still enjoyed the movie.

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The Neon Demon 2016 Download - 720p - Dolby Digital

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The Neon Demon"




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Sachtitel

The Neon Demon 2016

Zeitdauer

139 kleinst

Freisprechung

2016-06-08

Qualität

FLA 1440p
BRRip

Gattung

Thriller, Horror, Mystery

Jargon

English

castname

Yutong
N.
Neal, Auberta Z. Gihan, Mathéo V. Safwa









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A SCREEN ZEALOTS REVIEW www.screenzealots.com

LOUISA SAYS:

What…did I….just watch?

Not for the uninitiated or those with weak stomachs, everyone’s favorite polarizing surrealist director Nicolas Winding Refn is back with the lurid, gory, sadistic, and horrifyingly beautiful “The Neon Demon.” This film makes a bold statement about the shallowness of Hollywood and the fashion industry in the most violent, brutal, bloody and disturbing way possible.

The film’s strength is in its breathtaking visuals. Refn once again establishes himself as a true auteur at the top of the visionary food chain. Even if you are one of the many who see him as pompous and pretentious, there’s no denying that few have quite the mastery of the craft of the visual arts as he does. This film belongs in a modern art museum.

It doesn’t matter that there’s not much of a plot: teenage ingénue Jesse (Elle Fanning) moves to Los Angeles to chase her dreams of becoming a model. She soon finds herself living in a sketchy motel with lecherous landlord Hank (Keanu Reeves) and surrounded by the seductive Ruby (Jena Malone), Gigi (Bella Heathcote) and Sarah (Abbey Lee), a pack of shallow, jealous, beauty-obsessed women. It’s hard to evaluate the performances since most consist of nothing more than striking and holding a pose or staring longingly into a mirror, but I do think that Reeves has one of the greatest (if small) roles of his career.

There’s no escaping the true debate this movie presents: is this a shrewd feminist manifesto or is it grossly misogynistic? It’s taken me three days to reflect on this and I’ve decided that it sways towards the former rather than the latter.

First, the film celebrates the female form; the women in the film are beautiful set dressings, designed to be admired (and not treated solely as sexual objects). Yes, the women are one-dimensional but at the same time, that works as a harsh criticism of the narcissism that’s so prevalent in the fashion industry. Refn also artfully expresses the malice that is sometimes deeply hidden in the female psyche. The film is insightful too: women have a dark side and sometimes we do feel like we are in a girl-eat-girl world (a phrase that the film takes a bit too literally).

Refn’s hypnotic signature is all over this stylish, elegantly violent film. Cinematographer Natasha Braier adds a disturbing hallucinatory effect while Cliff Martinez lends a thumping, ear-splitting, ominous score that reflects the overall atmosphere of insanity.

As with the director’s other films (“Drive,” “Only God Forgives“), there are plenty of scenarios that seem to be present with the sole intent to shock, offend or disgust. (Do we really need an extended scene of lesbian necrophilia? I guess you can argue the point, but the scene goes on a bit too long to make it seem relevant to the plot or characters). The extreme last act feels more like a pointless gross-out than a thoughtful commentary think piece. I think this is a good place to mention that this film is a very, very hard ‘R’ rating; I am surprised it’s not NC-17.

“The Neon Demon” isn’t your run-of-the-mill art house film; it’s so far beyond the art house that it’s in another dimension.

MATT SAYS:

A teenage runaway from Sandusky, Ohio steps off a bus into the glittering lights of Hollywood. All of her friends back home tell her that she’s destined to be a star, and she believes them. But Hollywood does not bestow fame and fortune without a price. First it will take her innocence, then it will take all that remains.

So is the story of “The Neon Demon,” the new film by auteur Nicolas Winding Refn (“Drive,” “Only God Forgives”). Elle Fanning is Jesse, the underage runaway that has been lured to Los Angeles by the whispered promises of becoming a famous model. She meets up with another innocent who was been lured to the city: photographer Dean (Karl Glusman), whose attempts at emulating the art he sees in Hollywood through pictures are met with sneering ridicule as “amateurish.” Dean hasn’t sold his soul, and those who have have nothing but contempt for him.

Jesse, on the other hand, makes the bargain readily: after being paraded before harshly appraising eyes and being judged a piece of meat worthy of notice, she willingly trades her virtue for empty glamour and attention. After having reborn on the runway, Jesse quickly learns that she has still not given enough: people continue to want more from her, and what they want she isn’t willing to give.

“The Neon Demon” is not for everyone. It’s not even for most. Even if you enjoyed “Drive,” you may find yourself frustrated and your patience tried by this movie. There is much to appreciate, but you will be challenged in doing so. In this film, Winding Refn has made an art piece that must be assessed, considered, and deconstructed. Those who are literal-minded will likely find their patience tried: the story isn’t about what’s happening on the surface, it’s about what’s happening underneath. You must watch, listen, and observe carefully.

One additional word of warning: “The Neon Demon” is highly disturbing and will upset many casual viewers. Apart from its gore and physical violence, the film pushes boundaries HARD. Terrible things are either shown or implied. I can’t for the life of me understand why the studio and theater chains thought that this was an appropriate film to release in nearly 800 theaters nationwide. One can imagine that of the few audience members who didn’t walk out during the first 20 minutes ran for the exits at its offscreen implication of child abuse.

If you’re still reading this review and haven’t been dissuaded yet, I recommend that you see this movie. It’s one of the most interesting discussion pieces in recent memory and it’s not one that I will soon forget.

**A SCREEN ZEALOTS REVIEW www.screenzealots.com**
I don't really foresee _The Neon Demon_ becoming my personal all time favourite film, but from a purely aesthetics point of view, it might just be the best movie I've ever seen.

_Final rating:★★★★½ - An all round great movie and a whole lot more._
**It's not anymore a competitive world, but jealousy!**

It started off very well and in the half mark, it completely lost. In the initial part, it looked like a normal film and then I think even the writer does not know what could happen, they just improvised with whatever they had. Writing was totally messed up. When they had the great characters, it becomes nothing in the end. I'm not a fan of this director, and all his films are average, but this one is the worst among them.

I'm not an art film hater, though I hate wasting scenes without any developments and this one had many like them. If you trim them all out, the overall film is around 45 minutes. The rest of the film was just music, colourful lights, and sometimes totally idle, which definitely drag the viewers to the boredom.

Whenever there was a scene with the story, like dialogues and developments, I thought it was going well. But then those useless, dialogueless segments turned me off. Especially the conclusion was absolutely crap. Elle was good, like a character made for her. Keanu Reeve was useless, his addition was just a marketing strategy that did not click.

This is the story of a teen girl aspiring to be a model, but surrounded by the jealousy people because of her fast growth. How it all goes between them and in the fashion world is what the film talks. The film is watchable, but mostly the second half onwards it gets boring. In the end, I don't think anyone would be satisfied completely with their watch, maybe very, very few, but if you consider the majority, this does not deserve to be suggested.

_3/10_
Awesome up til the climax. Goes from a guts-deep analysis of 1) narcissism and its development, 2) the horrors of fashion culture to a by-the-numbers "wow figure out the mystery wow" thriller. Turn it off when there's 30 minutes left and it'll be your film of the year

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