The Hateful Eight 2015 Online Stream - 1440p - M2V

The Hateful Eight 2015 Online Stream

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Sachtitel	The Hateful Eight 2015
Dauer	177 kurzer Entwurf
Freisprechung	2015-12-25
Eigenschaft	MPEG-2 1080p BRRip
Gattung	Crime, Drama, Mystery, Western
Programmiersprache	Español, English
castname	Amina A. Neve, Faima S. Jemaine, Adelisa J. Tiersen

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The Hateful Eight is an epic film. Epic the way Ben-Hur was epic. It’s filmed on rare Ultra Panavision 70. The film crew altered Modern cameras to work with UP70. Quentin Tarantino knew there were two types of film viewers. Those who would see his film as he intended and those who would not. Tarantino isn’t an idiot and knows people will pirate his and watch it on devices he can’t control [Note 1]. To combat this Tarantino made a version of the film which requires viewing in a theatre. He did this with the 70mm roadshow production of The Hateful Eight.

The roadshow production of The Hateful Eight is a great experience. I was born in 1981, after roadshow theatrical releases fell out of popularity so I’ve never experience a roadshow theatrical release. Roadshow theatrical releases were (or are) a limited engagement showing of a movie before general release. The Hateful Eight’s roadshow includes a beautifully produced souvenir program — already available on Ebay. The lights go out fifteen minutes prior to the film starting and no previews are shown. Roadshows aren’t their to advertise. Their purpose is to wow you with The Hateful Eight in 70mm.

I was only eleven when Reservoir Dogs was released and thirteen when Pulp Fiction was released. Arguably, a little too young to watch these films. Although I knew what sex was and how it worked, My young mind didn’t know about paraphilia or unusual sexual interests. I don’t think I even had a working idea of how homosexual sex worked. This would have made watching scenes from Pulp Fiction rather difficult for me at that age. [Note 2]
Unlike many, I saw Reservoir Dogs before Pulp Fiction. Although I like the editing style of Pulp Fiction, I think Reservoir Dogs is a better film. What makes Reservoir Dogs great is the lack of financing. Financial constraints didn’t limit Tarantino and Reservoir Dogs is dialogue heavy with very impactful scenes revolving around a single location: The Warehouse.

The high-level idea of The Hateful Eight, Quentin Tarantino’s Eighth film, which implies the title is deliberate, is about a bounty hunter escorting a prisoner (the only female in the film) to “hang by the neck until they are dead” in Red Rock. However, a blizzard prevents the prisoner from reaching the final location and the prisoner along with eight others are stuck in a single room: Minnie’s Haberdashery.

The Hateful Eight is filmmaking at it’s finest. Like Reservoir Dogs it could have been a theatrical production. It didn’t have to be a movie. If there are special effects they aren’t noticeable. There is violence and blood, which you expect, but comparing to other Quentin Tarantino’s films it’s tame. There is no dancing to a radio tune while Michael Madsen conducts a horrific act. But, the strongest story-telling scene will stick with you. A flashback overlaid with a monologue performed by Samuel L. Jackson that demonstrates the artistic ability of Tarantino. The editing between Major Warren’s narrative and what General Smithers envisions can only be told with film. The scene contrasts the alluring story with the distasteful act. A compliment to the editor who doesn’t pull you out of the monologue, but enhances it.
I’ve only seen, read, or heard a few interviews with Tarantino, but I don’t get the impression he does anything on accident. Tarantino puts too much thought into his ideas and works. When Bret Easton Ellis interviewed Tarantino he stated:

> My scripts are meant to be read.
> [The Bride] has stashed all this shit in the ground. So, she is going to dig a hole and pull up a footlocker and it will have passports, money, and weapons. All the things she will need for her revenge. But, the way I have it written in the script is she needs to find a rock and turn it over to find an ‘X’ on the rock. She turns over the rock and finds the ‘X’.
>
> If the ‘X’ hadn’t have been there or if she couldn’t have found rock, she would have taken it as a sign that her revenge never should happen and she would have dropped the whole idea.

These are things you can’t show on film.

You get this same type of feeling when watching The Hateful Eight. It is hard to imagine that Tarantino didn’t have a few one-on-one days with each actor explaining to their character’s fully-developed backstory which isn’t depicted in the film. Only additional viewings will explain each characters motives.

Many of my college friends who enjoyed Kill Bill Volume One didn’t like Kill Bill Volume Two even though Kill Bill Volume Two is the stronger of the two films. The reason? The dialogue. The dialogue is the best part of The Hateful Eight. Although The Hateful Eight is three hours long you don’t feel it. The film engrosses you with the characters, their conversations, and the conflict between them. The acting is superb.

My wife said that this is her favorite Quentin Tarantino film. I don’t know if I disagree and although Reservoir Dogs holds a special place with me, The Hateful Eight is a much more mature film. Tarantino has had 23 years to perfect his craft and it shows. Although I liked Django Unchained, it isn’t as good as The Hateful Eight.

The Hateful Eight may be one of the better films I’ve seen in the past few years.

_Note 1: Mark Z. Danielewski’s House of Leaves is a piece of art as much as a novel. But, there isn’t a digital version. This is deliberate. Danielewski can’t determine a way for readers to digitally consume the book. Contrary to what you expect, this control is more easily achieved with print than film._

_Note 2: Like all Quentin Tarantino’s movies, The Hateful Eight isn’t for children. Quentin Tarantino is great because of his dedication to his art. Tarantino made a purposeful choice to not have a relationship or children because it would affect his art. I wonder if his decision is partially due to discussions around the dinner table about what Daddy does without showing them. I don’t know if Tarantino has actually thought about the ramifications of raising a child in the dark to his art until a certain age. Maybe he hasn’t. But, If I was in his shoes, I would have internal conflict about not wanting to twist my kid’s minds until they were of age to deal with my creations. But, I am probably projecting._
The hateful eight is well directed, good photography and has a great OST, with a good melody from Ennio Morricone (although it is just that, not much more) and, as usual, well selected songs by Tarantino.

The best of the movie is its cast, with the exception of Michael Madsen which I think is terrible but Tarantino seems to love. As usual, good performance by Samuel L. Jackson and superb ones by Kurt Russel and Jennifer Jason Leigh. Tim Roth makes a great role in a character that seems as if it was made for Chistoph Waltz, though. IMHO, the best performance is from Walton Goggins, though. A usual secondary which has the chance in this movie to be more than just that.

All in all, a Tarantino movie with what you would expect from one of his movies.

But ... the problem is precisely that there is everything to be expected, but nothing else. The typical long and witty dialogues. The typical stories and anecdotes distracting the viewer attention from the important happenings ongoing, but just that. Hence, this movie stays half way to be a really good movie and it remains just a enjoyable movie, without much more expectations.
> ...And then there were none.

I'm neither Tarantino nor Nolan's fan, but love watching their movies. As usual these director's films are highly expected by all, that's including me. This one started off quite like a normal western, so I thought it wouldn't be like the director's previous film 'Django Unchained'. In fact, it was considered for a sequel to that, but the director felt this story and the previous character Django failed to blend, hence 'The Hateful Eight' was born with Samuel L. Jackson playing an important role.

Solid eight from me for this QT's eighth film. But I felt the movie was kind of inspired by 'And Then There Were None'. It was not about to find who's the killer or next to be killed. The character introductions were at its best and an excellent twist in the middle. This sets in a cabin with eight strangers struck there after the snowstorm. But after an unexpected event the suspicious started to mount and brings chaos. Then takes us to the flashback to reveal something the story that did not mention in the earlier part which's very essential for coming back to the finale.

The 80% of the movie was just talking, but the remaining stunt sequences were so powerful. All the eight, plus, supporting character were exceptional, but the director's favourite Samuel L. Jackson nailed it as his character is a bit above from the rest. The entire film was shot is a couple of locations, but the major portion takes place in a cabin and it was a limited cast movie. These days, western movies are shrinking, only a very-very few good movies are made every year. In the time of superheroes, a movie like this is really very precious, so definitely recommend it.

8/10
Marmite at Minnie's Haberdashery.

Quentin Tarantino writes and directs and it stars Samuel L. Jackson, Kurt Russell, Jennifer Jason Lee, Walton Goggins, Tim Roth, Micahel Madsen, Demian Bichir and Bruce Dern. Music is scored by Ennio Morricone and cinematography by Robert Richardson.

Wyoming, wintertime, and an assortment of suspect characters are holed up at Minnie's Haberdashery while a blizzard rages outside. Soon enough suspicions and ugly human traits come to the fore...

Tarrantino is on a Western/Southern/Oater/Civil War kick these days, here following on from Django Unchained, this is set just post the Civil War. Proudly homaging genres he loves, he throws all his trademarks at The Hateful Eight for glorious results - that is on proviso you happen to be a fan of his in the first place.

Picture is split into two halves. First half sets up the characters who come to be at Minnie's, the conversations are pungent with Tarrantino's caustic and comedic writing, the characterisations equally so, whilst we have been treated to some absolutely gorgeous Colorado vistas. There's a constant sense of mistrust in the air, while racism, misogyny and political fall outs pulse away in set up scenarios.

Then it's the second half, where after a wee bit of narration that had me thinking my Blu-ray player had somehow started playing The Assassination of Jesse James by the Coward Robert Ford, hell then comes to Minnie's! It quickly becomes evident we have been part of a Tarrantino parlour game, a game of Clue - cum - Ten Little Indians, only in a Wild West setting, and with blood, bones and bile in full effect.

The whole thing is wonderfully stylish in the way that Tarrantino is known for. The cartoonish horror mingles with more biting observations on humanity, the violence shocks to get a reaction from the viewer, for better or worse, and always there is humour, where Hateful Eight proves itself to be one damn funny film.

Morricone scores it as cartoon horror with Western strains, and it's magnificent, it sounds like the evil twin to his score for The Untouchables. The cast are super (though a couple of them are not given much to do), with Leigh standing out, and Messrs Jackson and Russell hold glorious excessive court. Costuming is most appealing, as is the set-design for Minnie's. And director QT? Well he does his thing, chapters and verse and playful filmic cunning. 9/10
The Hateful Eight is Quentin Tarantino's eight film. Inspired by John Carpenter's movie, The Thing. We even have Kurt Russell mentioning going without sleep. However despite all the talking and there is a lot of chatter between some hateful people, it is an Agatha Christie style thriller.

In a snowbound post civil war wild west, Kurt Russell is bounty hunter John Ruth better known as the Hangman. He brings his bounty back alive so they can hang.

Ruth is taking back Daisy Domergue (Jennifer Jason Leigh) a female captive with a big reward on her. He meets Major Warren (Samuel L Jackson) another bounty hunter and they decide to ride together to town and meet the new Sheriff who is due to show up.

A blizzard means they have to stop at an inn. Holed up in the inn is Bruce Dern's confederate General Smithers, a bitter racist trying to find out the fate of his son.

Also there is Tim Roth's Mobray on his way to the same town as the Sheriff to be their new hangman. There are several other people hanging around the inn. Ruth is convinced that someone is not what he claims to be and is nervous.

The film has a lot of talk with suspicious, shifty people rubbing everyone up the wrong way. Tarantino wants the viewer to get complacent and then suddenly bang! He then shows you his hand.

The Hateful Eight is a twisted film with Tarantino's dark humour, mean characters and violence. However it is overlong and a mystery that might be too slow before it gets going.
***Creative Western whodunit is an amusing black comedy, but also profane and repugnant***

RELEASED IN 2015 and directed by Quentin Tarantino, "The Hateful Eight" is a Western about a cruel bounty hunter (Kurt Russell) taking an outlaw woman (Jennifer Jason Leigh) in to Red Rock, Wyoming, to hang. Along with a black bounty hunter (Samuel L. Jackson) and the new Sheriff of Red Rock (Walton Goggins), they hold up at a rural haberdashery during a blizzard with several dubious characters (Tim Roth, Demián Bichir, Michael Madsen, Bruce Dern and Channing Tatum). Dana Gourrier and Zoe Bell appear in small roles.

This was Tarantino’s second Western in a row after 2012’s “Django Unchained,” which ranks with the best Westerns of all time. This one’s not as good, but it certainly has its points of interest, like the great wintery wilderness atmosphere, which is to die for. Moreover, the plot is intriguing. It's basically an Agatha Christie whodunit a la Murder on the Orient Express transferred to the Old West. Roughly 90% of the film takes place in the haberdashery and, less so, a stagecoach. It's basically a theater play masquerading as a movie and I found it a unique setting for a Western.

The movie starts out with spectacular Colorado winter cinematography highlighted by an excellent Ennio Morricone score, his first full-length score in over three decades (!). Compelling extended dialogues have always been Tarantino’s strong suit; and so it is here. The amusing melodramatics are entertaining and the story keeps your interest despite the one-dimensional setting. Everything’s SO exaggerated that you can’t take it seriously. The movie’s intentionally offensive and you have to roll WITH the excesses to be entertained; otherwise you’ll hate it.

On at least one occasion the overindulgences don’t work, like the disgusting fellatio sequence. I get that Marquis (Jackson) was lying to the other guy to compel him to draw, but we didn't need a visual on his fabricated story. It's sordid excess that has no place in a Western or any other movie, except gay porn, but Tarantino obviously included it in order to be "edgy" or whatever.

The excellent opening with the figure of Christ dying for our sins keys off the theme, which is humanity’s fallen condition and dire need of redemption. The title, “The Hateful Eight,” is a perversion of “The Magnificent Seven.” The latter celebrates the noble and heroic whereas this movie parodies the base and odious. Tarantino is poking fun at our petty hostilities that separate us based on race, gender, sectionalism, faction-ism, envy and rivalry. Furthermore, men divided by hatred of culture and race can unite in hatred of something else, in this case misogyny.

THE FILM RUNS 2 hours, 47 minutes.

GRADE: B

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X-Men: Apocalypse 2016 Download - 1080p - M2V

X-Men: Apocalypse 2016 Stream Hd

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Ehrentitel	X-Men: Apocalypse 2016
Geltungsdauer	199 sehr klein
Entlassung	2016-05-18
Güte	MPE 1440p DVDrip
Buchgattung	Action, Adventure, Science Fiction, Fantasy
Sprache	English
castname	Jaydan E. Lilja, Celesse Z. Nahel, Clouzot Z. Louisha

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Not really a step forward in the X-Men franchise. Read my full review here.

http://www.hweird1reviews.com/allreviews/x-men-apocalypse-review
Though far from the worst _X-Men_ film, _Apocalypse_ was still a disappointment, because until this entry, every Bryan Singer _X-Men_ film had been excellent. _Apocalypse_ is a far cry from terrible, but it is underwhelming given Singer's history, as well as in and of itself.

Certain actors, who shall remain Jennifer Lawrence, were completely checked out in this instalment. The CGI was often so bad it was confronting, even in the climax of the film. Apocalypse's plan was plot-hole-y and underdeveloped, and not all of the new characters hit it out of the park.

There was still a lot to like here though. Some of the newer costumes were neat, and a lot of the side-plots had me very intrigued. Fassbender and McAvoy are excellent as always. It's certainly not a failure amongst the likes of, for example, _X-Men: The Last Stand_. Which was a good callout in _Apocalypse_. Another thing I enjoyed.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
**Another ancient power was awoken and blah blah blah.**

I have seen almost all the superhero films of the recent time, but this is the franchise I never liked. I'm sorry to say that, but that's the truth. The 'X-Men' series never made me sense, particularly to say it from the Marvel comics is a disappointment. When it comes to 'Wolverine', my opinion is different, because I loved those films. Hugh Jackman as Logan is the only 'X-Men' I love, so like usual this is another waste of time from its series to me.

I even enjoyed the recently rebooted 'Fantastic Four', but not this one. There's nothing new in the story, it's the same plot stolen from the different films. Like an ancient force is awoken who tries to rule the world by destroying everything created so far by the humans. So the mutants join hands to bring him down and we know what happens at the end. Apart from the vfx, this is very boring film and 150 minutes runtime was another lengthy joke that you never laugh.

Not just me, many people, even 'X-Men' fans showed displeasure over this film. That means, Bryan Singer's stint with the franchise is pretty much over. So they will going to bring a new one and that's another disappointment, because I don't know how long they're going to drag this series. End it already. Anyway, like I said I never was or will be this universe fan, so I don't care much, rather I just give them a try when they get released and obviously I'm to end in regret watching. Instead, I'm looking forward to the final 'Wolverine' film with Hugh Jackman.

_5/10_
X-Men Apocalypse is typical of what you would expect from a Marvel X-Men movie. Light on story and depth and heavy on special effects and action. In short it is exactly what I, as a Science Fiction and Fantasy geek, would expect as well as hope for.

The X-Men faces a new threat in the form of the worlds first mutant. Naturally said mutant is really a Übermutant vastly more powerful than any “normal” mutant. Equally naturally this Übermutant is set on a path of world destruction and domination. I quite liked this villain. He is a good all evil and powerful bad guy and a worthy adversary. No nonsense about trying to make the villain likable or trying to explain why he turned evil or such like. This guy is evil, he is the bad guy, he needs to be taken down…full stop.

As I wrote the story is not the most elaborate one around but it is a good one within the confines of a Marvel super hero movie. It gets the job done without being overly stupid or silly. It is set in the “prequel” universe created by X-Men First Class. The movie adds a few new X-Men to the ranks of Professor Xaviers team. Some of them thanks to the manipulations of Apocalypse although they start out on the bad side at first.

The movie moves along at a decent enough pace and, as was mentioned, there are quite a few action sequences and special effects thrown at the viewer throughout the movie. Personally I found the special effects to be quite good. Even stunning at times. I am quite a bit of a special effects nerd so of course this pleased me a lot.

The movies ending certainly opens the door to future X-Men movies and I for sure would like to see the franchise continue. I very much enjoyed these almost two and a half hours in front of my TV set.
*** This review may contain spoilers ***

After immensely enjoying the turn the X-Men franchise took after the disappointment of X-Men: The Last Stand, I was pretty excited to see this movie. I love comics, but I never got into the X-Men, so I can excuse some of the inaccuracies that seemed to upset hardcore fans. I just enjoyed the movies.

X-Men Apocalypse is the weakest film since duds like Last Stand and Wolverine Origins. It just didn't have a whole lot going on. One of the biggest critiques of Marvel (yes, I know X-Men films aren't produced by Marvel Studios, but I'm speaking of the publisher of the original medium) is that their villains are lackluster. The big baddie through the whole franchise has been Magneto, easily the most charismatic and entertaining Marvel villain on film. Though we've had brushes with Stryker and Trask and his sentinels, this is the first movie in which the X-Men had taken on a true super villain who wasn't Magneto-- Wolverine vs. The Silver Samurai aside.

But it's almost like director Bryan Singer painted himself into a corner with Apocalypse. The villain was too powerful and could have easily achieved his goals without the help of his "four horsemen." He could have ended the world, in mere minutes, all by himself. But, of course, that would make a boring movie, so Singer and Co. had to figure out what to do with the world's most powerful and dangerous mutant for two hours before the final climax was to begin.

There were scenes where the villains were literally sitting around the desert talking about how they were going to lay waste to a city on the horizon. There were scenes where the most powerful of the villains went out recruiting much less powerful villains to join him. Really, Singer just didn't know what to do with this character. How do you create conflict and drama when the bad guy is just too powerful? Well, you can't.

Of course, after two hours of watching the most powerful mutant ever talk about what he is going to do (instead of simply doing it) he finally unleashes his fury. Except that, the X- Men actually have the most powerful mutant in the world on their side in Jean Grey.

So, again, why is Jean not simply destroying Apocalypse in the first 10 minutes of the movie? Because, running time needs filler.

And that's basically what this movie is: Filler. They came up with a concept that would make the storytelling aspect problematic. And rather than tweaking the concept or fleshing out the story with subplots, they just assumed explosions and superhero fights would be enough to carry the film.
What a let down after Days of Future Past (the best X-Men movie ever, in my opinion). Bryan Singer has usually directed some of the best films of the franchise but this one is a real clunker. Too many characters with not enough development and a very lackluster villain. Oscar Isaac is a talented actor, but even he can't make Apocalypse interesting under all that silly blue make up. Characters like Angel and Psylocke, as Apocalypse's horsemen, are very thinly written and barely have a personality. Also, it is absolutely ridiculous that the villain Mystique is transformed into a role model and leader for the X-Men in this movie. Jennifer Lawrence looks bored throughout and barely appears as Mystique's true blue self even though she's supposed to be an out and proud mutant. A real disappointment.
***Ranks with the best in the X-Men franchise***

Released in 2016 and directed/co-written by Bryan Singer, "X-Men: Apocalypse" has the team go up against the first mutant, Apocalypse (Oscar Isaac), whose origins date back to ancient Egypt. After thousands of years in stasis, Apocalypse is immediately disillusioned by the state of the world and so recruits a team of worthy mutants, including a dispirited Magneto (Michael Fassbender), to purge humanity and craft a new world order over which he will reign. Professor X (James McAvoy), with the assistance of Raven (Jennifer Lawrence), leads a team of young X-Men to stop their greatest nemesis and save mankind from complete destruction. Josh Helman is on hand as Col. Stryker.

This sixth film in the franchise (not including the several spin off films) easily ranks as one of the best. It includes many of the best elements of the X-Men and everything I would want in a great X-Men flick:

Professor X's ongoing goal for an educational sanctuary for interesting mutants from all over the world; his love for Moira (Rose Byrne); Magneto's increasing mastery of his great powers and his struggle to go on the offensive against prejudiced humanity; a greater focus on Cyclops (Tye Sheridan) and his potent power, both of which were neglected in the original trilogy; an outstanding actress to play Jean Grey (Sophie Turner), who is far better than the bland Famke Janssen; Olivia Munn's ultra-hotness as Psylocke; a worthy subplot on Weapon X with the corresponding guest appearance of Wolverine (Hugh Jackman); an excellent collection of young mutants, like Storm (Alexandra Shipp), Beast (Nicholas Hoult), Quicksilver (Evan Peters), Nightcrawler (Kodi Smit-McPhee), Havok (Lucas Till), Angel (Ben Hardy), etc.; a worthy main villain in the mold of Dr. Doom and Thanatos; an epic, apocalyptic final act (sorry); I could go on and on.

This isn't to say the movie doesn't have faults, however; the cartoony overblown prologue in ancient Egypt is Exhibit A.

The film runs 144 minutes and was shot in Quebec, Canada (Greenfield Park, Montreal and Oka).

GRADE: A-
Plenty of action with good acting, however, Apocalypse (the villain) lacks originality. X-Men: Apocalypse is a mediocre film in the respected franchise that is "X-Men"

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Spectre 2015 Ganzer Film - 1440p - AAF

Spectre 2015 Online Anschauen Kostenlos

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Adelstitel	Spectre 2015
Dauer	139 Konzept
Abgabe	2015-10-26
Eigenschaft	AVI 720p BDRip
Buchgattung	Action, Adventure, Crime
Programmiersprache	Français, English, Español, Italiano, Deutsch
castname	Reeser K. Zariah, Morris L. Ziyad, Yanni I. Tisha

Spectre 2015 Spectre ganzer film deutsch, Spectre online stream - Ganzer film, Spectre ganzer film online stream - Deutsch

Well, cinema’s most treasured and resilient British spy guy is back as the legendary James Bond makes his twenty-fourth outing on the big screen in the highly anticipated and slickly-made Spectre. Worldwide Agent 007 fans understandably maintain their embedded expectations and vision as to what calculating and cunning mission their suave and sophisticated gun-toting, martini-sipping espionage thrill-seeker will encounter in his latest globe-trotting episode. Whatever Bond enthusiasts have in mind for the future twenty-fifth entry of the “licensed to kill” Lothario they should simply settle for the present stimulating currents that trickle as mind-bending material in the polished and percolating Spectre.

As for the dynamic performer that have served his time with action-oriented cinematic sensibilities through three previous super-charged James Bond installments, the steely-jawed and diligent Daniel Craig is back on the saddle again for his fourth stint as the crafty 007. Naturally both ardent and casual Bond followers can rattle off the filmography of Craig’s on-screen tour of duty as the debonair and daring secret service operative and even rate the previous films as they compare and contrast each edition. Some may give special attention to Craig’s first foray into stepping inside Bond’s explosive shoes for 2006’s Casino Royale that is considered a spectacular introduction for the dramatically trained actor. In 2008’s Quantum of Solace, it was a mixed bag at best as Bond followers for the most part gave this second 007 rendition an ambivalent sign of approval (not too many were thrilled with the awkward movie title either). Thankfully, 2012’s Skyfall bounced back for Craig’s take on the roguish Bond and made for some exceptional brownie points as the cagey spy returning to creative prominence. Now 2015’s Spectre hopes to make some hearty tie-ins to Craig’s past big screen adventures as the stoic jet-setting dynamo ridding the world of masterful riff raff.

In actuality, Spectre is serviceable in that it is an elaborate and excitable reminder of the preceding Bond films where bits of nostalgic elements from yesteryear are sprinkled throughout its presentation. Sure, some wily 007 fanatics may spot a few of the tossed in nods to the aforementioned Casino Royale and Quantum of Solace in particular as the proceedings unfold. For the most part, Spectre acts as a mere bridge to the launching of the upcoming 25th Bond actioner in waiting. To be fair the other Bond films have served as a welcome mat to the next chapter of the late Ian Fleming’s engaging and charismatic man of action so why should not Spectre be any different in this regard? Still, this spy caper has its signature swagger that Bond aficionados relish with familiarity: heart-pumping action sequences, exquisite locales, desirable and devious Bond women, majestic car chases, larger-than-life villains and their loyal henchmen, imaginative gadgets and inventive technology and yes…the indomitable James Bond at your service. Nevertheless. the minor knock on Spectre is that it could have risen to the occasion more than it did as it occasionally feels as if it is going through the mischievous motions. It never resorts to the levels of Bond-ish drudgery in Quantum of Solace so that certainly is a relief in that aspect.

Spectre does incorporate its share of opulence, mystery, suspense, shadowy tension and perilous plight. However, where the standard Bond film-making characteristics are somewhat consistent and captivating (i.e. the breathtaking opening sequence of the Day of the Dead celebration in Mexico City) there is also a questionable consideration for the weak-kneed Bond theme song in Sam Smith’s “Writing’s on the Wall” which seems so inadequately suited for a James Bond signature tune. Even the indifferent observers of the James Bond film franchise for the last five decades can attest to the two most important stamps of a Bond film–its opening scene and surging theme song. Thankfully, Spectre’s grand opening sequence obeys traditional Bond practices but Smith’s doggedly tired-sounding “Writing’s on the Wall” feels as it belongs attached to an old televised After School special from the mid-70s. Wouldn’t you give your kingdom for Paul McCartney and Wings’ “Live and Let Die” or Carly Simon’s “Nobody Does It Better” or perhaps even Sheena Easton’s “For Your Eyes Only”?

One thing that can be said about Craig’s Bond in Spectre and that is his image transformation has been elevated to that of a fashion plate whose GQ stylized look has taken quite a step up. Not since Roger Moore’s Bond has there been a clear case of dazzling attire on display for Agent 007 to strut his stuff in spiffy clothing accessories throughout his ventured travels. Craig, billed as a “blue-collar” Bond whose demeanor is more blunt and workman-like, takes comfort in basking in the finesse shadows of a classic Agent 007 almost foreign to his distinctive spin on the iconic spy. In fact, the overall vibe for Spectre seems to lie in the middle of old school and new school James Bond mythology where the shading suits both camps of the ever-lasting film franchise.

Director Sam Mendes, who handled the direction for the previous Skyfall, finds the right tone and temple for Spectre that certainly shows off its lavish and ambitious production values as the set designs, scenic locations, fabulous pre-credits action sequence are all indescribable in majestic scope. No one can accuse Spectre as to not holding its own in visual functionality. Wisely, Mendes does not forget his Skyfall background players as they reunite with Craig’s Bond and partake in the sensationalized cat-and-mouse caper. It is refreshing to see Ralph Fiennes back as “M” not to mention Ben Wishaw’s “Q” front and center. And a Craig-fronted Bond film would not be the same without Naomie Harris as Miss Moneypenny.

Agent 007 fans will find a common "Bond" with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinettic SPECTRE
Agent 007 fans will find a common “Bond” with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinetic SPECTRE
It is a given that the diabolical criminal network known as SPECTRE has always had its affiliation with the Bond universe especially in the classic Sean Connery Bond-age years. Instinctively, SPECTRE’s evil heart and soul was pumped continuously by that organization’s dastardly mastermind Ernst Stavro Blofeld. Oscar winner Christoph Waltz does the sordid honors of taking the reins as Bond’s nemesis Franz Oberhauser in Spectre with devilish delight and is more colorfully corrupt thanks to his handy go-to muscular minion Mr. Hinx (ex-professional WWE wrestler and “Guardians of the Galaxy” star Dave Bautista) echoing the memories of beloved brute Jaws (played by the late Richard Kiel) from The Spy Who Loved Me and Moonraker).

We can never forget that along with Agent 007 folklore comes the responsibility of being labeled a treasured Bond babe. And although the latest sultry women represented in Spectre will never make us forget the iconic likes of Dr. No’s Ursula Andress (Honey Ryder) or Casino Royale’s Eva Green (Vesper Lynd) for that matter they still hold their own and give a measure of titillation to both Bond and the vast amount of male admirers wishing they carried a gun and wore expensive tuxedos while being at the receiving end of a provocative smooch by these vibrant vixens. Lea Seydoux’s Madelene Swann and Italian siren Monica Bellucci’s Lucia are on board as the Bond bombshells for hire.

As a whole, Spectre has its up and down moments and never is quite sure about standing alone as an independent Bond story or being dismissed as a pit stop for 007-related flashbacks and reference bits ode to yesteryear’s glory of the super spy’s engaging and raging exploits. The verdict is that Spectre ultimately satisfies one’s craving for the invincible James Bond whether you can to relive his vintage reputation or look forward to a millennium-enhanced production that will grow with the ageless wonderment pertaining to Fleming’s literary ladies man-turned movie-making mainstay of action-packed cinema for half a century. As one-time Bond songbird Carly Simon would attest in her soothing lyrics, “nobody does it better…” Yet in the dimensional escapist world of James Bond this particular go-around could have been a tad bit better.

Spectre (2015)

Sony Pictures

2 hrs 28 mins.

Starring: Daniel Craig, Christoph Waltz, Lea Seydoux, Naomie Harris, Ben Whishaw, Dave Bautista, Monica Bellucci, Andrew Scott

Directed by: Sam Mendes

MPAA Rating: PG-13

Genre: Spy-Espionage Caper/Action & Adventure/Suspense Thriller

Critic’s rating: ** 1/2 stars (out of 4 stars)

(c) Frank Ochieng (2015)
A "correct" Bond movie. All the expected stereotypes are included, Waltz is an OK bad guy and the intro scene is something really impressive.

Nothing else really new ...
> Not your usual Bond movie, but still a good entertainer.

What I liked from a couple of last Bond movies was they were off the regular 007 style, like not overly rely on spy's special gadgets. This change has been since the day one of Daniel Craig as a famous British spy, James Bond. Anyway, he's the most fittest (muscular) Bond I've ever seen and he's celebrating 10 year anniversary with this film release. But the question is whether he to do another film or done with the franchise. The doubt after the confusing end of this film.

The end was quite clear on the story perspective, so I kind of felt it was a farewell for Craig. But, later I came to know that the official source says Bond25 will be his fifth and so on till he opts out himself. 'Spectre' was a very simple Bond movie I have ever seen, but I can say the production quality was so good that you can't resist the enjoyment. The actors, they were also good, but not as I anticipated. Maybe many scenes were very ordinary for a Bond movie, that's comparable with the nowadays action movies, otherwise it was not as bad as critics expressing their disappointment.

You can't believe what I was disappointed, you know when they say what the C stands for - is that the best word they come up with against the M for Moron? Anyway, James Bond movies have always had ups and downs, the last film 'Skyfall' was a mega hit and now this has not stood up to that standard. But very entertaining with all the actions and unexpected turns in the narration. As a spy movie, it was okay, but as a Bond movie is what might upset you, so its upto you how you look at it. But to be honest, I enjoyed it.

7/10

EinzelphotonenEmissionscomputertomographie – Wikipedia ~ Die EinzelphotonenEmissionscomputertomographie kurz SPECT von englisch single photon emission computed tomography ist ein diagnostisches Verfahren zur Herstellung von Schnittbildern lebender Organismen und damit eine Variante der Bilder zeigen die Verteilung eines Radiopharmakons im Körper Sie eignen sich je nach Art des Radiopharmakons zur Beurteilung

Myokardszintigrafie – Wikipedia ~ In Cardiolite ® enthält der Komplex sechs Moleküle 2Methoxyisobutylisonitril MIBI als Liganden um das TcZentralatom Der Komplex ist stark lipophil und wird passiv durch Diffusion in die Herzmuskelzelle aufgenommen Die Injektion von 250 bis 500 MBq 99m TechnetiumMIBI Cardiolite ® erfolgt wie bei der Untersuchung mit Thallium unter Gegensatz zur Untersuchung mit

Zerebrovaskuläre Insuffizienz – Wikipedia ~ Die zerebrovaskuläre Insuffizienz andere Schreibweise cerebrovasculäre Insuffizienz CVI ist ein zusammenfassender Begriff für Störungen der Blutversorgung des Gehirns durch Gefäßläsionen Stenosen Obliterationen Gefäßschlängelungen im Bereich der hirnzuführenden oder der zerebralen Gefäße insbesondere bei der subkortikalen arteriosklerotischen Enzephalopathie des älteren

TMA – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

MIBGSzintigrafie – Wikipedia ~ Bei Verwendung von 123 IMIBG werden planare Ganz oder Teilkörperaufnahmen etwa 4 und 24 Stunden nach der intravenösen Gabe des Tracers angefertigt nach 24 Stunden auch SPECTAufnahmen der interessierenden Körperregion – meist des 131 IMIBG erfolgen die Aufnahmen in der Regel nach etwa 24 und 48 Stunden Für SPECTAufnahmen sind dann oft sehr lange Aufnahmezeiten bei

LewyKörperDemenz – Wikipedia ~ Geschichte Benannt ist die Erkrankung nach Friedrich H Lewy 1885–1950 einem deutschen Neurologen In seinem Buchkapitel über die „Paralysis agitans“ heute Morbus Parkinson beschrieb er erstmals die später nach ihm benannten LewyKörperchenWährend seiner Tätigkeit an der Berliner Charité fand er diese Veränderungen im Nucleus basalis Meynert und Nucleus dorsalis nervi vagi

Skelettszintigrafie – Wikipedia ~ Die Skelettszintigrafie auch Knochenszintigrafie engl bone scan genannt ist ein nuklearmedizinisches bildgebendes Verfahren Szintigrafie das zum Nachweis von KnochenAnteilen mit einem erhöhten Knochenstoffwechsel dient Bereiche mit einem erhöhten Knochenstoffwechsel „Herde“ finden sich beispielsweise bei Knochenmetastasen im Rahmen von Krebserkrankungen z B

Craniale Computertomographie – Wikipedia ~ Als craniale Computertomographie CCT bezeichnet man eine radiologische Untersuchungsmethode mit der mittels scheibenartiger Schnittbilder vor allem das Gehirn aber auch knöcherne Anteile Gefäße Gehirnkammern mit Hirnflüssigkeit sowie die übrigen Weichteile im Inneren des Schädels und jeweils viele pathologische Veränderungen dieser Strukturen visualisiert werden können

Szintigrafie – Wikipedia ~ Die Bildgebung beruht auf der Verabreichung von Radiopharmaka d h Stoffen die radioaktiv markiert sind Dabei werden solche Stoffe verwendet die sich in dem zu untersuchenden Gewebe besonders gut anreichern

Scanner – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

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Guardians of the Galaxy 2014 Online Schauen - 1440p - Sonics-DDP

Guardians of the Galaxy 2014 Stream Hd

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Guardians of the Galaxy-kostenlos-2014-AAF-M2V-BDRip-1440p-1080p-Bluray-FLV-WMV-WMV-Blu-ray.jpg

Anrecht	Guardians of the Galaxy 2014
Zeitdauer	121 peinlich genau
Abgabe	2014-07-30
Qualität	Sonics-DDP 720p HDTV
Genre	Action, Science Fiction, Adventure
Fachsprache	English
castname	Jenil H. Nene, Jana Z. Siloam, Jenee S. Darrion

Guardians of the Galaxy 2014 Guardians of the Galaxy ganzer film deutsch, Guardians of the Galaxy online stream - Ganzer film, Guardians of the Galaxy ganzer film online stream - Deutsch

This movie was so AWESOME! I loved it all and i had a bad day before watching it but it turned it around. I love action packed movies and this was great.
Really funny and with great spcial effects. Probably, one of the movies not to miss this year.
I ΛM GЯӨӨƬ!
This was a pleasant surprise of a movie, full of great humor as well as an intriguing story. It's quick and zany at times. Think Psych in space (back when Psych was funny). The pace is quick and the story line is easy to pick up and follow.

What makes the film work is something that early Lucas and Joss Whedon understand: great sci-fi movies are really westerns at heart. There is a relationship with nature, a broken, compromised hero, a deep necessity for teamwork, and the story happens OUT there in the wild. Guardians of the Galaxy has ALL of this.

Guardians is already set up for a sequel so we will see if Marvel can continue the magic. It's a great addition to the Marvel universe.
Like most of the reviews here, I agree that Guardians of the Galaxy was an absolute hoot. Guardians never takes itself too seriously which makes this movie a whole lot of fun.

The cast was perfectly chosen and even though two of the main five were CG, knowing who voiced and acted alongside them completely filled out these characters.

Guardians of the Galaxy is one of those rare complete audience pleasers. Good fun for everyone!
The thing about this film when I first saw it, was the incredible juxtaposition of sadness, humor and courage. Great acting! The music is superb. That Sony Walkman must be the best bit of brand advertising ever engaged by a company within a film. The film should appeal to a broad range of viewers.
This movie is more of a comedy than anything else. It is truly a comic magazine brought to life on the big screen and more focused on delivering a sequence of action scenes and laughs than anything intelligent in the form of plot or characters. I would say it is a movie for the younger audience and comic fans. Having said that I must admit that I found it rather fun to watch.

The main characters are two mostly irresponsible rascals, one dumb but likable living tree and two fanatics of which one certainly need not apply to the Mensa club. Of the five I liked Rocket and Gamora the best. Rocket is a rather likable rascal and Gamora is simply cool. Quill is sometimes just silly, Groot is more of a living prop and Drax is just too stupid.

The story is more or less just there to tie the scenes together. Unfortunately we do really not get much of a background to the Guardians of The Galaxy universe. It would have been nice to get a bit more understanding of why things are as they are etc. The return of this movie is watching the action, the special effects and the laughs. It is an action-adventure-comedy plain and simple. If you approach it as such it works reasonably well.

Speaking of special effects, they are generally well done. The designs are interesting. The shape of the bad guys spaceship is totally ludicrous of course but visually pleasing and goes with the rest of the movie’s tendency to be more of a comedy than a serious movie. The same can be said for that cool but weird net they made by interlinking fighter crafts.

On the whole an entertaining movie. I have to say that the dancing scene at the end was a wee bit too silly for me though. I have a problem understanding how a movie like this can get such a relatively high rating at IMDb but okay it was fun to watch and it is not entirely undeserved. Personally I think a 7 out of 10 is more in the right region.

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**A long form review originally posted n 2014:**

Now that I’ve given _Guardians_ a BluRay watch through, I feel more comfortable reviewing it. I saw it on the first day of its Australian cinematic release, but I wasn’t sure what I thought. I watched it again and still wasn’t sure, but now that it’s six months later, I am sure.

I’m a massive fan of director James Gunn. Come to think of it, I’m also also a big fan of Lee Pace, Michael Rooker, Chris Pratt, Benicio Del Toro, Djimon Honsou, Bradley Cooper, Vin Diesel, Peter Serafinowicz, Alexis Denisof, Rob Zombie and Nathan Fillion, and they’re all in this. Not to mention I’m an absolute sucker for the MCU. So after hearing that a very decent chunk of the fanbase thinking that not only was this the best Marvel film of the year (going up against _Winter Soldier_ and _Days of Future Past_), but that they would then go on to say it was the best Marvel Cinematic Universe film ever, you could imagine I was very surprised to find that I actually didn’t think it was all that great.

I don’t want people thinking I didn’t like it. I did. In fact I will go on record saying that it was miles away from their worst film, and if I’m being honest they handled the last 25 minutes (arguably the most important part) of the film absolutely spectacularly. But I didn’t get the magic that everyone was telling me about. How this was the film for the new generation. I didn’t even get the sense of satisfaction that I had in Cap’s movie just a few months previous.

So many things seemed under utilised, but I don’t know what you could have cut to make room for the extra things I wanted. Which means the only way to get it is to have a longer film. It’s already two hours, and a longer movie means a bigger budget and less screenings. ie. more money going out and less money coming in. And at the end of the day Disney is a business, and they have to make their money the best way they think they can. So I understand why it wasn’t perfect for me, but that doesn’t stop me from feeling _Guardians_ is a mite overrated. Good damn movie. But overrated.

Personally I’d stick it somewhere in the middle of the MCU’s releases thus far. Leaps and bounds above _The Incredible Hulk_, _The Dark World_ and _Iron Man 2_, but not so beloved as the likes of _The Avengers_, _Winter Soldier_ or _Iron Man 1_.

73%

-_Gimly_
Guardians of the Galaxy is a gorgeous and wonderfully entertaining space opera. The characters are so damn lovable, the world building is incredible, the soundtrack gives the film an entirely unique feel, and the effects are astoundingly first rate.

The story follows the pattern of the space fantasies that influenced George Lucas, but the presentation is the work of the extraordinarily gifted filmmaker James Gunn. If we ever forget that the MCU was ever a thing (we won't but let's just be hypothetical), many generations will still be talking about this fantastic movie.

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X-Men: Days of Future Past 2014 Mit Untertitel Stream - 720p - DAT

X-Men: Days of Future Past 2014 Online Stream

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X-Men: Days of Future Past-WEB-DL-2014-mit untertitel-WEBrip-MP4-1080p-AVCHD-MPEG-2-HDRip-FLV-SDDS-FLA.jpg

Adelstitel	X-Men: Days of Future Past 2014
Zeitdauer	158 winzig
Freigabe	2014-05-15
Eigenschaft	Sonics-DDP 1080p HDTV
Gattung	Action, Adventure, Fantasy, Science Fiction
Sprachfähigkeit	English
castname	Lison W. Compton, Wardah U. Darisha, Steele L. Oresme

X-Men: Days of Future Past 2014 X-Men: Days of Future Past ganzer film deutsch, X-Men: Days of Future Past online stream - Ganzer film, X-Men: Days of Future Past ganzer film online stream - Deutsch

**Year of release** 2014 **Directed by** Bryan Singer **Written by** Simon Kinberg **Starring** Hugh Jackman James McAvoy Michael Fassbender Jennifer Lawrence Peter Dinklage Ellen Page

**X-Men: Days of Future Past** (rating: 4 ++)

**Plot** - In a dystopian future of 2023 where mutant-kind has been all but wiped out by powerful robots known as Sentinels the last surviving mutants launch one final attempt to save their species from extinction. Hiding out in a monastery in China, Kitty Pryde (Page) sends Wolverine's (Jackman) consciousness back in time to 1973. His task is to prevent Mystique (Lawrence) from murdering the Sentinels' creator Bolivar Trask (Dinklage). His murder made him a martyr and ensured that his destructive creation went into production. In addition, Mystique is captured in the process and her DNA used to engineer even more powerful machines. By stopping the murder the hope is that they will change the future and save their species. Seeking out the young Charles Xavier (McAvoy) Wolverine is despondent to find that he is not the man he will come to know decades later. With Xavier a broken man, Wolverine's first challenge is to help him find his old strength. The next challenge isn't one that sits all that well with Xavier; they must break Magneto (Fassbender) out of a prison cell beneath the Pentagon. To do so they enlist the aid of Quicksilver (Evan Peters), a mutant with superhuman speed. With Magneto and Xavier once again standing side-by-side they head to Paris to attempt to stop Trask's murder at Mystique's hands, but will they make it in time?

In a fitting move considering the storyline of this film allow me to go back in time to the year 2000 where I can still remember going to see the first X-Men film in August of that year. Hard as it may be to believe, the big superhero film was not the guaranteed box office success they are nowadays. Following the disastrous reception that met 1997's Batman & Robin the superhero genre was on life support, and another big failure could have seen the plug pulled. Thankfully for all us fanboys out there the film proved to be both a critical and commercial success, kicking off a surge in comic book films which has seen them come to dominate the box-office. Well somehow 14 years have passed since then (and I can't quite believe that :eek:) and we now have the 7th film in the X-Men franchise. Now since the solid start of X-Men the series hasn't exactly been the most reliable in terms of quality and has been rather overshadowed by the Batman's, Spider-Man's, Iron Man's and Avengers' of this world. In truth you could probably split the previous 6 films evenly into 'the good' and 'the not so good'; though to be fair to The Wolverine which I'd put in the latter category it's pretty decent. Well as the 7th film in the series this was always set to break the tie and the good news is that it has swung the pendulum very much towards the positive side of things.

That said however I didn't find that I was quite as high on the film as many other people seem to be. As seems to be the case for just about every other superhero film these days, the release of DoFP has seen many people instantly jump on the bandwagon of proclaiming this the best superhero film ever. While I certainly wouldn't go that far this is an extremely entertaining entry into the X-Men franchise, and one that continues the upswing of First Class. The film does open in absolutely thrilling fashion and ends quite strongly as well. In between these wonderful bursts of action though I just found that the film had a tendency to fall into a lull on a couple of occasions. With its complicated story the film has to spend a lot of time trying to keep things clear for the audience, which sadly results in the situation and the stakes being reiterated time and time again. It just threatens to get bogged down by becoming overly talky, derailing the momentum and in general I didn't feel it was as well paced as Captain America: The Winter Soldier for example. An additional action sequence or two I don't think would have gone amiss. I also feel that it perhaps lacked the colour, energy and sense of fun of X-Men: First Class. Some of that comes from the fact that I didn't feel DoFP embraced its period setting to the degree that First Class did which on more than one occasion felt like a Sean Connery Bond film. A few snazzy outfits and some brief touches upon the Vietnam War aside I don't think it really exploited the 70s era to the fullest. And I think the Vietnam sequence was actually amongst the film's weaker moments; an unnecessary detour which could easily have been left on cutting room floor.

As I mentioned, the opening sequence of DoFP is a terrific way to kick the film off; in fact I think its got to be one of the best opening gambits of any superhero film. The film instantly drops us right into the middle of a Sentinel attack upon the X-Men in the future; making for an absolutely thrilling opening. It's a wonderfully creative sequence that features some genius choreography as the hitherto unknown Blink (played by Fan Bingbing), with her ability to create teleportation portals, emerges as one of the most visually dazzling mutants we've seen so far throughout the series. It's a terrific set-piece that the film arguably never matches for the next two hours, at least in terms of action and excitement; there is a sequence however that is fantastically entertaining which we'll get to later. The big finale then aims to be and mostly achieves feeling like a suitably epic affair that encapsulates Sentinels, the White House and the RFK sports stadium. At the same time the film is also jumping back and forth between this and the future where the Sentinels have once again launched an assault upon the X-Men. The only problem, and one that is in complete contrast to other superhero films such as Man of Steel, is that I didn't feel its concluding battle was quite long enough. The two competing sequences feel like they are slightly lacking in action and drama, and are over too soon.

**Film Trivia Snippets** - In reference to the X-Men member Kitty Pryde, and her importance to this particular film, DoFP was shot under the working title of “Hello Kitty.” /// Days of Future Past is based on a storyline of the same name that appeared across two issues of Uncanny X-Men in 1981, and was written by Chris Claremont. It is now the fourth film to be based on a story penned by legendary X-Men writer Claremont. X2 was adapted from 'God Loves, Man Kills'; X-Men: The Last Stand was based on his 'Dark Phoenix Saga'; and The Wolverine was based on his comic of the same name. In the comic the future world was set in the year 2013, the same year in which filming for the movie version began. /// The bullet wounds that appear on Wolverine's chest on his arrival to the 1970s is in the form of the Big Dipper. This is an homage to the 1980s anime series, Fist of the North Star, whose protagonist Kenshiro has the same scar pattern on his chest. /// Prior to making the film, Bryan Singer had a two-hour discussion with James Cameron abut how to make a time-travel concept feasible and workable within the film. Thanks to Cameron's experience as the director of The Terminator and Terminator 2 the two discussed concepts including alternate universes and string theory (a field of quantum physics that define multiple universes). /// It's quite clear just by looking at the credits that this is one hell of a cast that's been assembled. If you're looking for more proof however then how about this; the four main female X-Men in the principal cast (Halle Berry, Jennifer Lawrence, Ellen Page and Anna Paquin) are all Academy Award nominess, while the six principle male cast members (Hugh Jackman, Michael Fassbender, James McAvoy, Ian McKellen, Patrick Stewart and Peter Dinklage) are all Golden Globe nominees.

With such a prestigious cast at Bryan Singer's disposal it's no surprise to find that performances across the board are generally of a high standard. Though the sizeable cast means that not everyone gets an equal chance to shine; Halle Berry's involvement for example is little more than a cameo. In fact I'm struggling to think if she even had a single line throughout the whole film or if all she did was make it rain a little bit. And the whole future ensemble are almost completely sidelined, meaning that the established regulars are given little to do other than spout some exposition, while the various new additions (Bishop, Blink, Warpath, Sunspot etc) are given absolutely no introduction whatsoever so we have little reason to care about them or mourn their demise. In fact for the majority of them I'm not even sure there names are known until we get to the closing credits. The lack of exposure given to the future timeline was certainly a disappointment. As a result it's in the past where the most noteable performances come from with solid efforts coming from Lawrence, Fassbender, Jackman etc. However the one individual who is able to stand out from the crowd for me would have to be James McAvoy who I thought was just excellent as the young Charles Xavier. The fact that he is given the strongest characterisation and the most to work with certainly helps. We initially find him as this supremely broken individual who is in great pain both physically and emotionally, but with help from Wolverine he is able to find his way back onto his path.

The two most notable additions to the X-Men world this time out were Evan Peters' Quicksilver and Peter Dinklage's Bolivar Trask. And as it turns out the end result for both was completely flipped from what many were predicting beforehand. The promo images for Quicksilver had fanboys already sharpening their knives before the film had even hit cinemas, ready to tear into him with the kind of fervour reserved for Batsuit nipples and Ben Affleck. And yes I have to say that his appearance still comes across as rather bizarre and stupid, kind of like Julian Assange as styled by Lady Gaga. As a character however he kind of kicks ass, his introduction arguably being the coolest addition to the franchise since Alan Cumming's Nightcrawler back in X2. And just like Nightcrawler had with his incursion into the White House, Quicksilver is given the spotlight all to himself at one point to really make a name for himself. This time it's a break-out from the Pentagon where his incredible speed comes into its own with a terrifically fun and inventive set-piece that allows him to steal the film from his more illustrious co-stars before sadly disappearing shortly afterwards. The way he is just written out is rather disappointing and feels like it's only been done to help free up space for everyone else. It does however leave the audience wanting more, so it's good news that he's going to be starring in X-Men: Apocalypse. My only concern about the character is whether they've actually made him too powerful. They show his abilities as being so strong that you imagine he could destroy any mutants, even the likes of Magneto and Xavier, before they even had the chance to respond.

The real disappointment amongst the cast is Dinklage's Trask. Now Dinklage is a great actor, no doubt about that, and I think he personally does good work here. It's just that the character he is lumbered with here I felt was a little bit dull to be honest (particularly for the film's supposed 'big bad'), giving him very little to really sink his teeth into. That also creates one of the film's few main flaws in my eyes; the lack of a strong villain. Trask kind of takes the place of Senator Kelly from the first X-Men film, but that film also had Magneto and his Brotherhood of Mutants as villains. While the future X-Men do face off against the considerable threat of the Sentinels they are a fairly blank entity devoid of an actual character or personality that can interact with the X-Men. Which is not to say they are not effective foils for our mutant heroes, you just get the feeling that there should be big bad in charge of deploying and controlling those machines. In terms of design the Sentinels may disappoint and likely anger the real X-Men fanboys out there, baring little resemblance to their comic book counterparts. In fact they aren't a million miles away from The Destroyer as seen in the first Thor film. However I don't think there's any denying that they most certainly do make an impact; in fact they are rather chilling, unsettling creations. The fact that the X-Men suffer some very violent, nasty deaths certainly heightens that feeling.

**Film Trivia Snippets** - Bryan Singer talked about "changing history" in an interview with Empire Magazine(May 2014). The director stated "I don't want people to panic about us erasing the movies. I believe in multiverses," explaining the possibility of certain events as they would be part of the history of alternate universes. /// In the "Days of Future Past" comic it was Shadowcat (Kitty Pryde) who went back in time; in the film it's Wolverine. According to writer Simon Kinberg, Kitty was intended to be the time-traveller but it didn't work out: "Kitty in the era of young Magneto and Xavier, would have been negative 20 years old. The reflex response to that was a character who doesn't age. Wolverine is the only character who would look the same in 1973 as he does in the future." Thus, Wolverine was picked for being an ageless immortal character who would bridge past and future. /// To create the sensation of Quicksilver's incredible speed ability Bryan Singer filmed his scenes in a special format of 3600 frames per second. This means that Quicksilver will be moving 150 times faster than normal. /// Josh Helman was originally going to be cast as a young Cain Marko/Juggernaut. But Juggernaut was written out of the film, and Helman was offered the role of a young William Styker. /// Bryan Singer based Bolivar Trask on Adolg Hitler; “As Hitler used the Jews as a scapegoat to bond the darker parts of Europe, he's doing the same thing with mutants. But he wasn't a six foot, perfect blond Aryan - he was a short, funny looking fellow!”

Now considering the fairly dense and complicated storyline that encompasses two timelines and what feels like dozens of characters I think that the film's writer, Simon Kinberg, actually does a fairly commendable job of keeping everything in some kind of balance and managing to just about ensure that it all makes some kind of sense. And considering the twisted mess of continuity that he has had to deal with it would perhaps be unfair to poke holes at it. But hey these are films for comic book fanboys, what do you expect but for us to nitpick! :D The film is still unable to address a few niggling questions, perhaps because that continuity mess makes it almost impossible to actually do so. However questions still linger such as how exactly is Charles Xavier still alive after being killed off in X-Men: The Last Stand? What's the deal with Wolverine's claws and their constant shifting back and forth between adamantium and bone? Still no explanation as to why Xavier and Mystique didn't appear to know each other in the original trilogy, but were so incredibly close according to these films etc. The script has to spend so much time just trying to establish the story that there is little chance to focus on the actual characters at its heart. As someone who loved the Magneto-Xavier relationship and interaction in First Class that's a shame. And it feels like there is barely a single line of dialogue in the whole film that isn't exposition

The script also fails to address a few new issues, just completely glossing over them perhaps in the hopes that we just won't notice. For example when and how exactly did Ellen Page's Kitty Pryde get the ability to send people's consciousness through time? And perhaps it's just me but the whole plot point (and it's a very important one) about Mystique's blood being so vital in the development of the Sentinels seems rather vague and questionable in its logic. If they were going to go down that route I feel Rogue would have been a somewhat more logical choice given that her ability is to replicate the powers of other mutants, not just change her physical appearance. It kind of came across as them just trying to shoehorn Mystique into being as important as possible to the film, largely inspired you suspect by the meteoric rise of Jennifer Lawrence since First Class. In fact with Hugh Jackman getting on in years, and his days as Wolverine coming to an end, the search is on to perhaps try and find the new face of the franchise. With Channing Tatum set to take on the character of Gambit he seems like a decent bet to take over that mantle. However with Days of Future Past they certainly seem to be positioning Jennifer Lawrence as another possibility to take on the role if she were to extend her current deal. I doubt anyone would ever have predicted Mystique being pushed to the fore in such fashion. Oh and just as another little nit-pick; was I the only one who thought the make-up job for Mystique looked rather s*itty this time out? I think it looks a lot more fake now than it ever did even 14 years ago.

Just a few more thoughts to wrap up. After the fresh start that was First Class, bringing Wolverine back and once again making him a central figure feels like a little bit of a step back. While he's only had two official solo films this almost films like the 6th Wolverine-focused film we've now had in the series. And if you're going to bring him back I think you should at least use him correctly. His strongest feature for me is as a brutal, kick-ass warrior, but DoFP actually gives him surprisingly little opportunity to unsheathe those iconic claws of his, placing him more in the role of a diplomat trying to keep the peace between Magneto and Xavier. The fact that the film kills so many of the mutants introduced in First Class offscreen I found quite disappointing. And the use of Blink's portals aside I didn't think the film quite captured the same team dynamic that was present in First Class, with several of the team going off on solo missions or taking their enemies out all by themselves. And now a couple of other little things that I liked. While we get to see very little of it the wasteland that the Earth has become in the future dystopia is a very effective and stirring touch, and one that evokes the future war as seen in the Terminator films. Oh and one little touch that I really loved was the film recreating newreel footage of the decade to match actual footage from the era. It comes off looking like the Zapruder JFK film.

Amongst fans of superhero films, 2008 is seen as a bit of a holy grail for the genre; the release of both The Dark Knight and Iron Man, two of the most acclaimed and loved entries so far, gaining it that reputation. 2014 has so far seen the release of two great efforts (The Winter Soldier and Days of Future Past); if Guardians of the Galaxy lives up to the promise of its trailers then we could have a new contender for that title of comic book movie's holy grail year.

**Conclusion** - I know I've been pointing out a lot of flaws with the film in this review (perhaps as a response to all the gushing over it) but the truth is I did still find it to be an extremely entertaining addition to the X-Men series. As a result of some of those flaws however I'm not quite as high on it as many other people seem to be. For the moment I would have it in 2nd place amongst 2014's superhero flicks behind the excellent Captain America: The Winter Soldier, and after one viewing it would slot into 3rd place amongst the X-Men films.

One thing I should definitely add however is my condition when watching it. As I have been for a great deal of time recently I wasn't feeling particularly great when I went to watch it; feeling rather run-down and a bit yuck. So that perhaps hindered my enjoyment slightly,meaning there's a chance that score could rise on a repeat viewing.



**Bonus Film Trivia** - Patrick Stewart and Ian McKellen were performing in a touring production of "Waiting for Godot" when Bryan Singer approached the actors about reprising their respective roles as Professor X and Magneto. According to McKellen, both men were utterly shocked as they thought they'd passed their roles on to James McAvoy and Michael Fassbender, and would never play the characters again. Both Stewart and McKellen were delighted to return to two of their most popular roles, and to work with the younger actors playing the same characters as well. /// When Matthew Vaughn was going to direct, he was going to make the film a direct sequel to X-Men First Class and have it set in the 1970s. Early ideas included an opening with the Kennedy assassination being caused by Magneto, and mutant encounters set in the Civil rights movement/the Vietnam War. When Singer took over, he integrated these concepts into a viral marketing campaign to set up the action of the film. In this alternate history, Magneto is arrested and imprisoned for the assassination of Kennedy, but maintains his innocence. The "Bent Bullet" Theory (a reference to the real life "Magic Bullet" Theory criticized by conspiracy theorists) holds that the Warren Commission determined that Magneto manipulated Lee Harvey Osawld's bullets to kill the President in retribution for the murder of the mutants Azazel and Tempest by the CIA. Conspiracy theorists, based on Magneto's testimony, insist however that Magneto had tried to prevent the murder of Kennedy, and that the true shooter was not Oswald, but Mystique in disguise who, with the help of Emma Frost framed Magneto, and manipulated Jack Ruby into later murdering Oswald. The theory also posits that Mystique offered to double as Kennedy in an attempt to grab power, all of which backfired horribly, leading to anti-mutant hostilities.
Not as good as the previous X-Men movies but it has a pass... Jennifer Lawrence doesn't even get close to Rebecca Romijn. Also, Michael Fassbender and James McAvoy are really far from their senior characters performed by Ian McKellen and Patrick Stewart but the rest of original cast from first 2000's movie are great, as always.
This is a good and very enjoyable movie which, to me, was a bit surprising since I generally find that time travel is akin to sticking your foot in some messy and smelly stuff. It almost always screws up the movie in some way or another. This one was not without its faults but it did survive becoming too screwed up by it.

The opening scenes are indeed somewhat impressive throwing the viewer directly into an apocalyptic future where mutants as well as human are rounded up by sentinels. I could not help but think about Terminator during these scenes. Maybe not very original from a general point of view but the dark and gloomy opening was not the opening scenes I would have expected from an X-Men movie.

Then we, unfortunately, dive straight into some time travel when they send Wolverine back to 1973. This is of course a opportunity to make yet another twist of the mutant scare, mutants hunt, a good mutant is a dead mutant etc. story that we have seen in so many movies now. The main adversary changes but the general story idea stays the same and the arguments for hunting down the mutants are as silly as ever. Quite frankly, I find that angle a wee bit overdone and boring by now.

Luckily the story is fairly well implemented. The scene were Wolverine wakes up and disposes of the three thugs are rather funny. Pretty standard stuff but pretty funny nevertheless. The part where they retrieve Magneto is quite nice and the scene down in the Pentagon where the guards and everything else is “frozen” while Maximoff calmly walks around and rearranges things is outright hilarious.

I quite disliked the cheap twist where Magneto just decided to go amok and screw things up just when they were about to retrieve Mystique though. They could have spent some time coming up with a better way to twist the story at that time. The idiotic stuff with Wolverine getting a fit at the same time was just adding to my annoyance with that scene. This part is the main reason I will not give this movie a top score.

Apart from this scene the movie is a very well done superhero movie with lots of nice special effects. Sure it is also rather predictable but most people, including myself, do watch these movies mostly for the effects after all. As long as the plot is not downright stupid it get to pass.

Time travel. Okay, I have to harp a bit about time travel. I do not like it in movies because there are too many things that just does not add up. In this movie it is not too bad and most of the time the actual time travel aspect is kept out of the action. Wolverine goes back in time, does his stuff with a lot of action, and saves the day. Sure the dialog often comes back to the “I’m from the future” aspect but not much more. One thing annoys the hell out me though. Wolverine affects a lot of events while he is back there but not a single things seems to change in the future until one single event passes at the end of the movie. Then everything changes and it is happy ending. That is the kind of nonsense that time travel in movies ends up with.

Bottom line is that this is a very enjoyable movie. Without the rubbish plot twist in the middle it would have gotten 9 or 10 stars.
ok..i like all the x-mens except the last one. Logan. That was horrible. a 8 out of 10 for this
***Focuses on the best characters and an interesting story***

"X-Men: Days of Future Past" (2014) starts in an apocalyptic near-future where mutants are being wiped out by Sentinels, government-made robots created for this very purpose. The X-Men and Magneto decide to send Wolverine's consciousness back to his body in 1973 to prevent the Sentinels from attaining their mutant-killing powers.

This is easily one of the best X-Men films because of the interesting plot and the focus on the most interesting characters. Wolverine (Hugh Jackman) has been the top X-Men since day one so you can't go wrong with making him the focal point. James McAvoy and Patrick Stewart are excellent as Professor X, as are Michael Fassbender as young Magneto, Jennifer Lawrence as Mystique and Evan Peters as Quicksilver, the latter in a small but highly entertaining role. Nicholas Hoult as Beast gets an honorable mention and Bingbing Fan is notable as Blink, particularly her stunning face.

The plot is convoluted and yet easy to follow if you're familiar with the franchise's story arc. The film is all-around compelling. It has the confidence to slow down and be pensive while throwing in the requisite thrills and not forgetting to be entertaining. For instance, the creative and amusing way Quicksilver takes down a bunch of security guards at the Pentagon, which is one of the movie's top scenes. Lastly, I like the way Magneto’s great power is illustrated (you’ll see what I mean).

The film runs 2 hours, 11 minutes and was shot in Québec, Canada.

GRADE: A

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